Arts & Crafts Design: Useful and beautiful

NEW YORK – Can decoration coexist with usefulness? The Arts & Crafts movement answered that question by insisting that everyday products from homes to furniture be well designed, functional and aesthetically pleasing in an understated way.

The principles that inspired Arts & Crafts design harkened to an earlier agrarian society that focused on home, farm and family. Simplicity and necessity was more important than decoration. Food was homegrown, and clothing, furniture, tools and housing were created by hand. Mass production was limited to the sawmill, the granary and guilds of skilled craftsmen. It was a life of labor and often hardship.

American Arts and Crafts glazed earthenware vase designed by Harold Hals for Teco pottery, model 259, circa 1900-1904, covered in a matte glaze, 13¼in. high. Realized: $25,000+ buyere’s premium in 2013. Clars Auction Gallery image.

Economists agree that the shift of textile production from India to Great Britain by the 1780s began a strategic economic realignment away from a socially cohesive agricultural community to an industrial one focused only on production and dislocation. Once large-scale mechanization of textiles took hold, for example, it was felt that overall quality from the high standards of meticulous craftsman was replaced with sometimes pleasing but low-quality mass production. It was not altogether a positive trend and workers and craftsmen became more vocal about their displacement by machinery.

Rare Gustav Stickley chandelier no. 730, Eastwood, New York, circa 1904, hammered wrought iron and amber glass. Realized: $25,000+ buyer’s premium in 2014. Rago Arts and Auction Center image

It was the Great Exhibition of 1851 in London, considered to be the first world’s fair, that highlighted what was considered poor quality, overly decorative and unimaginative design elements. Instead, the exhibition provided the motivation for a movement to refocus design and decorative arts with a return of craftsmanship to its medieval roots of simple forms using high-quality materials created with handmade precision. In time this artistic and social philosophy would be known as the Arts & Crafts Movement.

The beginnings in Great Britain 1860s

By the 1860s, writer John Ruskin focused his social commentary on the appalling social and economic conditions brought on by the early Industrial Revolution. Architect Augustus Pugin lamented the trend to overdecorate buildings, homes and structures. At the same time designer William Morris felt that function should not be overshadowed by intricate and dramatic design flourishes in furniture, metalwork, glassmaking and the decorative arts.

Arts & Crafts copper box with attribution to Frank Marshall, 1 7/8in. x 5¼in. x 4in. The cover has an enamel over copper inset depicting a pair of peacocks. Realized: $2,700+ buyer’s premium in 2016. Humler & Nolan image

Together the collective philosophy from these earlier reformers insisted that craftsmanship can be accomplished without the social and economic upheaval of the large-scale manufacture. And it was effective. Within a generation, guilds formed throughout the United Kingdom and Europe espousing simpler forms, a focus on the artist and direct participation by the workers themselves, all without the intervention of mass production methods.

Movement to the United States 1890s

Although the Arts & Crafts Movement in Europe was followed in the United States throughout the 1880s and 1890s, it wasn’t until 1897 that the first exhibit opened with the American Arts & Crafts Exhibition in Boston. Its success created the Society of Arts & Crafts in Boston and the Arts & Crafts Society at Hull House with Jane Addams in Chicago that same year. Other communities such as the Roycrofters in Aurora, New York, and Craftsman Farms in New Jersey with Gustav Stickley in 1907, all intended to provide hands-on experience in handcrafted furniture, textiles and metalwork.

Marked Roycrofter oak side table with mortise and tenon construction, 26in. high x 26in. long x 13 ½ in wide. Realized: $650+ buyer’s premium in 2017. Butterscotch Auction image

Unlike the European movement that disdained mechanization throughout the process, the American movement focused more on influencing consumer behavior through the practical design elements as a form of social engineering toward more progressive ideals. A bit of mechanization and perhaps some profit wasn’t necessarily a hindrance.

Major Influences

From Europe, the simple floral and medieval designs of William Morris still predominate whose influence would help inspire the Art Nouveau style that emphasized curved lines and natural forms. The Bauhaus style in Germany emphasized simple and striking design in the fine arts.

In the United States, Gustav Stickley’s “Craftsman Style” of architecture incorporates simple design elements, but so does his furniture design. Plain with little to no embellishments, a Stickley chair, sideboard, textiles, wall paper, metalwork and others evoked the Arts & Crafts Movement like no other. His influence would provide inspiration for what would be called Mission Style and even the Art Deco design movements of the early 1900s.

Early Gustav Stickley narrow bow-arm Morris chair, #2340, Eastwood, New York, circa 1902, oak with leather seat and back. Realized: $14,000+ buyer’s premium in 2014. Treadway Toomey Auctions image

The Arts & Crafts Movement spread to Japan when philosopher Yanagi Sōetsu started mingei in the 1920s to 1930s highlighting Korean and Japanese folk art emphasizing “handcrafted art made by ordinary people.” Pottery by Hamada Shōji, Kawai Kanjirō and the artisans of Onta, Japan form the basis of the mingei movement that includes pottery, lacquerware, textiles and woodworking.

End of a Period

The Arts & Crafts Movement lasted from the 1880s to the introduction of Modernism as an art form in the 1930s. Yet the simple design for well-made, functional objects in furniture, textiles, pottery, glassware and metalwork still resonates in local art fairs and as a universal collectible category more than 150 years after William Morris declared a new aesthetic movement as a progressive social cause.

Morris summed up the Arts & Crafts enduring legacy by saying, “If you want a golden rule that will fit everything, this is it: Have nothing in your houses that you do not know to be useful or believe to be beautiful.”

Variety of luxury watches presented in Jasper52 auction July 10

NEW YORK – Forty-nine luxury wristwatches and a dozen assorted lots of gold jewelry by renowned designers comprise an online auction that will be conducted by Jasper52 on Wednesday, July, 10. From Jaeger-LeCoultre to Bulgari, Rolex, Omega and more, these creators continue to create watches with timeless styling and precision.

Omega Speedmaster chronograph automatic men’s watch, 2000-2010, with its original box and warranty, original steel bracelet. Estimate: $1,800-$2,000. Jasper52 image

View the auction here.

Learn more about the auction on Auction Central News.

Vintage U.S. flags waving in Americana auction July 10

NEW YORK – Wave the flag for a patriotic salute to American ephemera, items that were intended to have a relatively short life span but remarkably have survived the ages. Jasper52 will conduct a Historical Americana Auction on Wednesday, July 10, that will reflect the historic events of the nation through these colorful objects.

U.S. Flag, 36 stars, 6in. x 5 in., muslin, circa 1865. Estimate: $1,000-$1,200. Jasper52 image

View the auction here.

Learn more about the auction on Auction Central News.

4th of July: a sizzling collectibles category

NEW YORK – American Independence “ought to be solemnized with pomp and parade, with shows, games, sports, guns, bells, bonfires, and illuminations, from one end of this continent to the other, from this time forward forever more,” according to John Adams, a signer of the Declaration of Independence. While the future U.S. president was right about the celebrations, he was wrong about the day.

As it happens, the vote for independence from Great Britain was unanimous on Tuesday, July 2nd. That’s the day that John Adams envisioned for his “pomp and parade.” When the Declaration of Independence was officially ratified on Thursday, July 4, that became the de facto day that we now celebrate with “bonfires … illuminations” and collectibles.

Declaration of Independence

Naturally there are gift shop copies of the full Declaration of Independence complete with signatures of all 56 signers. Yet, a full text of the Declaration is available in many 19th century printings. Some hand-printed editions published as early as 1824 may start at $15,000, but later highly decorated 19th century versions sell for $300 or so.

A wonderfully decorated mid-19th century facsimile of the Declaration of Independence by printer Rufus Blanchard with a border of the seals of the 13 original colonies. It recently sold for $250. Images courtesy Austin Auction Gallery and LiveAuctioneers

If you’re able to find the original historical yearbooks like the Annual Register series that began under the editorship of the Anglo-Irish statesman Edmund Burke in 1758, you’ll find a first early printing of the full Declaration of Independence along with notes and comments from Philadelphia.

Flags

Nothing says July Fourth like Old Glory, the flag of the United States. There are any number of flags and flag styles to collect from the very small to the rather large and any number of star patterns. When Independence was proclaimed in July 1776, though, a flag wasn’t even thought about until about a year later. Even then, the flag design that was approved was intended as a naval standard, not a national flag, which was a relatively new concept.

The entire resolution authorizing a flag is just 31 words: “Resolved, That the flag of the thirteen United States be thirteen stripes, alternate red and white; that the union be thirteen stars, white in a blue field, representing a new constellation.” Nothing about how the stars were to be arranged, how many points they should have or whether the stripes were to be horizontal or vertical.

Because the resolution was vague, manufacturers designed unusual patterns using stars with different number of points. Before the Centennial of 1876, a complete flag is relatively hard to find. Most were handmade for display at home while others were government or military standards. After 1876, the presence of the U.S. flag became more ubiquitous.

No original 13-star flags are known to have survived the 18th century. This fanciful hand- stitched version shows an unusual star pattern in silk and dated July 4th, 1865, the first Independence Day after the end of the Civil War, which sold for $20,000 in 2012. Image courtesy: Heritage Auctions and LiveAuctioneers

What makes a U.S. flag fun to collect is the star pattern. Since 1795 a star was added for each new state every July Fourth after the admittance of the state. This means that the flag has changed 28 times, the most of any national flag. There was no set star pattern until 1912, with the most unusual star patterns becoming the most collectible.

Most flags before World War II were made of wool bunting, but there are some of silk, cotton, muslin and even a combination of fabrics. Flags are handsewn, silkscreened, machine sewn (stripes after 1850s; stars after 1890), and even block printed.

Most small, late 19th century hand-held flags are easily available for $30 or less and can be removed from the stick for easier display. Flags need to fit in an acid free frame, so collectors prefer smaller flags. Very large flags, no matter how old are difficult to display, but are great as a school show-and-tell, and as a patriotic addition to a neighborhood or civic program. Banners, or “pull downs” as they are known, are also quite decorative and collectible in any condition, especially with unusual star patterns.

This is the more iconic image of Uncle Sam, a recruiting poster for World War I created by artist Montgomery Flagg in 1917. An original recently sold for $9,000 by Heritage Auctions. Image courtesy of: Heritage Auctions and LiveAuctioneers

Uncle Sam

Another great symbol of the United States is Uncle Sam, the gentlemanly figure usually decked out in red, white and blue coattails and top hat. Although mentioned in a line of Yankee Doodle, the satirical song sung by the English to harass the Colonials during the Revolutionary War, popular tradition suggests it was a nickname given to Samuel Wilson, a meatpacker for the troops during the War of 1812 in northern New York state. His meat barrels bore the markings ‘U.S.’ and because of his patriotic dedication was nicknamed Uncle Sam.

Tintype of Samuel Wilson, who supplied meat to the U.S. Army during the War of 1812, was affectionately known as ‘Uncle Sam.’ The image sold for $4,250 in 2016. Image courtesy of Forsythe Auctions and LiveAuctioneers

Today, the Uncle Sam character is mostly associated with a red, white and blue cast-iron mechanical bank and an image created by artist Montgomery Flagg for his World War I recruiting poster “I Want You.” Uncle Sam can also be found in so many other variables such as an Andy Warhol painting, advertising tins, World War II morale posters and pamphlets, Red Cross benefits and even as an ad to help fight forest fires.

Eagles

The American bald eagle has been the most recognizable symbol of the country since its adoption on June 20, 1782 as the Great Seal of the United States. In full display, the eagle holds 13 arrows in the right talon to dramatize the commitment to fighting for freedom and democracy while finding peaceful solutions first symbolized by the olive branch and its 13 branches and berries.

Carved eagle display attributed to John Bellamy, a folk artist of the late 19th century known for heavily stylized eagle carvings. This gilded 19th century example sold for $35,000 in 2018. Image courtesy John McInnis Auctioneers and LiveAuctioneers

Folk artist John Bellamy carved patriotic eagles for ships and home decoration from about the 1850s to 1900 that are especially prized by collectors and is one of many artists utilizing the majestic bald eagle in patriotic works. The detail apparent in the fierce eyes and almost three- dimensional carving of the feathers and talons holding flags, arrows and ribbons attest to the majestic bird’s powerful image.

Patriotic-themed fireworks labels are great collectibles such as this Marine Brand fireworks label from the Liberty Display Fireworks Co. in China that sold for $425 in 2012 and The Voioe (sic) of Freedom fireworks label that sold for $175 in 2012. Images courtesy Dan Morphy Auctions and LiveAuctioneers

Fireworks, Postcards and Noisemakers

The use of fireworks to celebrate the Fourth of July began at the first anniversary in 1777. One such celebration was described by the Evening Post in Philadelphia as having “ … a grand exhibition of fireworks (which began and concluded with 13 rockets) on the Commons … ” China, then and now, is the preeminent fireworks manufacturer and their patriotic-themed fireworks labels are highly collectible because as paper labels, they weren’t expected to survive the event.

Patriotic postcards were a brisk business for publishers in the early 20th century such as this lot by well-known illustrator Ellen Clapsaddle, which sold for $30 in 2017 or about $7.50 each. Image courtesy: Matthew Bullock Auctioneers and LiveAuctioneers

When graphic design took a decidedly industrial leap in the late 19th century in Germany, the ability to produce more colorful illustrations with raised letters and embossed images helped make the penny postcard an immediate sensation from about 1900 to 1920. The one major postcard artist of the era was American Ellen Clapsaddle, who produced many of the dazzling holiday and patriotic postcard illustrations that are highly collected today. Look for ones with her added signature below the illustration to make them even more valuable.

Family gatherings deserve noise on the Fourth of July, too. Cardboard noisemakers, fanciful pinwheels and loud horns weren’t expected to survive the holiday. Any early items that did survive are highly collectible and sought after, especially if they are in very good condition.

This colorful button is a souvenir of a Fourth of July celebration in Keene, New Hampshire, in 1916. This patriotic-themed collectible sold for $322 in July 2018. Image courtesy of Hake’s Auction

There are also many vintage patriotic-themed items such as posters, civic holiday programs, parade items, buttons, tin items, flag-themed fans, decorations and so much more that can be collected and displayed all year long.

With this many vintage collectibles to display and admire, it’s no wonder that even John Adams believed that patriotic fervor should be “ … from this time forever more.”