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Mandalas transcend form to become art

NEW YORK – In Himalayan and Indian art, the mandala is an important tool for meditation and visualization. In brief, a mandala is essentially a circular construct to diagrammatically represent the universe and typically features a deity or deities. They are highly precise and technical and come in many forms from painted ones to architectural mandalas and in the form of lotuses.

Architectural mandalas are essentially replicas of painted mandalas while lotus mandalas are more decorative. For the sake of brevity, in this article we will forgo the painted cloth examples (often referred to as thangkas) and instead focus on sculptural mandalas. These are highly sought after today and are typically crafted in gilt-bronze, silver or a copper alloy.

A large cast gilt-bronze Avalokiteshvara with many arms in front of a mandala has a Tibetan inscription on the back of its lotus base. The piece brought $40,000 + the buyer’s premium in March 2020 at Madison Square Gallery Inc. Photo courtesy of Madison Square Gallery Inc. and LiveAuctioneers

For Westerners, they are collectible as art objects and transcend their original use as a tool for meditation and spiritual enlightenment. After a slump in recent years, the market has rebounded for these objects because of increased demand from both institutional and private collectors, particularly among Chinese and American buyers.

Three-dimensional mandalas run the gamut from those having a large figure of a deity atop or in front of a round mandala to lotus-form mandalas that open up their petals to reveal images of deities within a celestial abode. This polychromed copper alloy mandala, representing a lotus mandala that symbolizes the celestial environment of the deity Chakrasamvara with his consort Vajravarahi, sold for $325,000 at Bonhams New York in December 2019. Noting that most mandalas in Tantric Buddhist art are painted or ephemeral sand creations, the auction catalog says, “Rare sculptural mandalas, such as the present lot, are perhaps the most fascinating kind, constructed with a mechanism to open and close the lotus petals around the central deity.”

These bronze lotus mandalas probably originate to the Pala period in Northeastern India (8th-12th century). Sculptural lotus mandalas had a resurgence in China in the 15th century, catering to Ming imperial styles. The British Museum has a mandala in the form of an articulated pomegranate made in China during the Qing Dynasty. At its center, the mandala has a tutelary deity embracing his prajna (wisdom party) surrounded by 20 lesser deities.

A Qing kong hai mother pure silver wire inlay mandala sold for $210,000 + the buyer’s premium in December 2016 at HK BGTJ International Art Auctions Co. in Hong Kong. Photo courtesy of HK BGTJ International Art Auctions Co. and LiveAuctioneers

Sanjay Kapoor, owner of Kapoor Galleries in New York City, said, as with most antiques, the earlier examples are more desirable than later ones as they are harder to find. “There is no hard-and-fast rule [of what collectors look for in mandalas] but the general rule is age, condition, provenance and quality.” he said, adding that it’s very important right now, especially for Indian objects, to be able to show provenance that the object left its country of origin prior to 1972.

Most of these mandals were made by anonymous artists whose names have been lost to history. The few names known today usually come from having a signature on a bronze and being able to attribute a mandala, based on stylistic motifs. What Kapoor admires most about lotus mandalas, for example, is the attention to detail and their realism. “And you have to bear in mind that these guys are carving these in the negative, into wax, so it’s not like they can do it directly on the sculpture. These are all lost wax casts.”

A 17th century bronze lotus-form mandala from Nepal that opens. Photo courtesy of Kapoor Galleries

Laura Weinstein, a Himalayan and Indian art scholar and provenance specialist, said new collectors should know that figures often go missing on these mandalas or petals/parts can get damaged, so sometimes a mandala might be restored using parts from other pieces. “It’s important when you are looking at these things to not only look at the sculpture as a whole but to pay attention to the iconography,” she said, noting that even museums like New York’s Rubin Museum, where she formerly worked as a cataloger, has a lotus mandala with the original figure missing. “You want to make sure when you are buying these things that the figures all make sense together. It’s often helpful to look at two-dimensional mandalas in order to verify the iconography makes sense.” When figures become separated, having a knowledge of the figures can help one understand that a particular deity would likely not have been cast in bronze alone and was likely part of a mandala.

This Tibetan silver-gilt lotus mandala opens to reveal gilt bronze figures with the ten-armed Cakrasamvara at the center. It realized $11,000 + the buyer’s premium in June 2015 at California Asian Art Auction Gallery USA. Photo courtesy of California Asian Art Auction Gallery USA and LiveAuctioneers

Kapoor said seeing a full mandala in sculpture form is rare and harder to find the older it is. Often you will see them in the form of retinues with figures forming the mandala. “Over time, a lot of the sculpture that you see as individual objects are actually broken pieces of what was once a huge mandala.”

Collectors new to the market should work with experts as mandalas are a complex subject. “It’s not like other fields where you have a signature and a certificate of authenticity,” he said. There are a large number of deities depicted in mandalas and even the figures’ moods from peaceful to wrathful to powerful (with different levels of each) can change its meaning and the setting depicted. Mandalas also are categorized by their shapes, colors and adornments. Collectors need to beware too of a plethora of fakes on the market, made thanks to scanning of authentic museum examples, 3D printing and fake patination.

A cast gilt bronze Chakrasamvara mandala earned $60,000 + the buyer’s premium in March 2020 at Madison Square Gallery Inc. The piece has a figure of Chakrasamvara and Vajravarahi surrounded by eight dancing dakinis, atop a double lotus pedestal base. Photo courtesy of Madison Square Gallery Inc. and LiveAuctioneers.

Asked what a good entry point for new collectors is, Kapoor said, “You probably are going to want to start with 18th century gilt bronzes and then go backwards timewise from there to earlier and earlier pieces. You will get a sense of the subjects, the different bodhisattvas, a little bit of the style and then you will learn to appreciate the earlier pieces and have an idea for where the later pieces’ influence came from.”

Indian, Chinese, Southeast Asian Art offered by Jasper52 July 17

Jasper52 will conduct a finely curated Asian antiques and antiquities auction on Wednesday, July 17, offering more than 50 lots of ancient Chinese artifacts, Indian jewelry, impressive Buddha statues that create a comprehensive representation of the Asian tradition.

Indian gold hair ornament, 19th century, 2 5/8in. diameter, repousse gold with resin fill, 79.8 grams. Estimate: $5,000-$6,000. Jasper52 image

View the auction here.

Learn more about the auction on Auction Central News.

6 Unique Pieces of Asian Decorative Art

The mystique and beauty of Asian decorative arts are readily apparent in this collection that includes highly collectible Indian statues, expertly executed scroll paintings, ceramics, cloisonné and carvings. Take a look below for 6 highlights from this stunning catalog.

A rare Tibetan thangka depicting Gyayin – the King of hte Mind – riding an elephant, while holding a snare in one hand to throw at his enemies and a razor in the other to cut “the life-roots of the obstacle-creating demons.” Dharmapala Pehar, the head of the Five Kings, is depicted in the lower right corner riding a white lion. Monbu Putra – the King of the Body – is shown in the lower left corner riding a lioness. Shing Jachen – the King of Virtue – is shown in the upper right corner riding a black horse. Dralha Kyechikbu – the King of Speech – is shown in the upper left corner riding a mule. This rare icon, beautifully painted with natural mineral pigments and gold on cotton, exhibits superb detailing.

Rare 18th- or early 19th-century framed Tibetan thangka depicting Gyayin. Painting size in sight: 9 1.2 x 8in (24.2cm x 20.2cm); frame size: 15 1/4 x 13 1/4in (38 x 34cm). Estimate: $1,300-$1,500. Jasper52 image

 

A beautiful original scroll painting on silk by Watanabe Seitei (1851-1918) titled Sparrow and Peony in Snow is a featured item in the auction. Trained by Japanese masters, Seitei received a silver medal for a painting he submitted to the Paris Exposition in 1878. He remained in Paris for three years and became the first Nihonga artist to reside in Europe to study Western painting.

Original scroll painting on silk by Watanabe Seitei (1851–1918), ‘Sparrow and Peony in Snow,’ signed ‘Seitei,’ late 19th–early 20th century, water stain at bottom, image size 47 1/4in X 17 1/2in. Estimate: $575-$625. Jasper52 image

 

Among the oldest objects in the auction is a Shang Dynasty (1766 BC – 1046 BC) pottery vessel, which is simply made of fired clay and stands at 10 1/2 inches tall.

Shang Dynasty pottery vessel, 8in wide x 7 1/2in deep x 10 1/2in. Estimate: $800-$900. Jasper52 image

 

From the early 20th century, is a bronze Tibetan Bodhisattva Du Mu figure, which is skillfully made and in its original condition.

Tibetan handmade bronze Bodhisattva, 12in high, circa 1900–1940. Estimate: $450-$500. Jasper52 image

 

Carved from burlwood, a 2-inch toggle of a seated man served a purpose in its day. This larger example of the form would have been strung with a cord through the holes under each arm, hung from a sash and used as a counterweight to a tobacco pouch or other utilitarian object. It is a fine example of 18th- or 19th-century Chinese folk art.

Chinese toggle carved burlwood toggle, mid 1700s to 1800s, 2in high x 2 1/4in wide. Estimate: $525-$600. Jasper52 image

 

Finally, an unusual item for smokers is a Chinese water pipe dating to the first half of the 20th century. It is decorated in enameled copper, which has its original finish. The pipe is complete with a tobacco holder, brush and tobacco tweezers.

Chinese water pipe, 1900-1940, 16 1/2in high, enameled copper. Estimate: $220-$250. Jasper52 image