7 Fine Prints That Scream Springtime

As we round the corner into February, we can’t help but feel a natural wistful-ness for sunnier skies, warmer weather, and greenery. Winter is certainly a precious time of year, but one that drags on far too long. Luckily for us, this week’s fine print auction is full of spring-time inspiration from flowers to birds to prints of outdoor scenes. Mixed in with the impressive Keith Haring prints and the unique “Head of a Woman” by Pablo Picasso are elements of the upcoming season.

Find some spring excitement with the below 7 prints.

Wildflowers by Mary Vaux Walcott

This lot of 29 prints wildflower prints stunningly portrays the beauty of spring flowers.

Lot of 29 Wildflower Prints from North American Wildflowers, Volume I by Mary Vaux Walcott, published by Smithsonian Institute, 1925. Estimate: $100-$300

 

Glaucis Lanceoalota (Lanceolate Hermit) by John Gould

Nothing says spring like a chirping bird.

Glaucis Lanceoalota (Lanceolate Hermit) by John Gould, First Edition, Published by London, 1849. Estimate: $900-$1,000

 

Fiery Rosebay Rhododendron by Robert Sweet

Fiery? Yes, please.

‘Fiery Rosebay Rhododendron’ by Robert Sweet, from The British Flower Garden, 1838. Estimate: $350-$450

 

Eye-of-the-Sun Tulip (Tulipa Oculus Solis) by Pancrace Bessa

This hand colored print dazzles with color.

Eye-of-the-Sun Tulip (Tulipa Oculus Solis) by Pancrace Bessa, from Flore des Jardiniers, Amateurs, et Manufacturiers, 1836. Estimate: $400-$600

 

Bass Wood by Pancrace Bessa & J.P. Redoute

We all crave some greenery in springtime after a bare winter of white.

Bass Wood by Pancrace Bessa & J.P. Redoute, published by F.A. Michaux, Philadelphia, 1865. Estimate: $50-$100

 

Yellow Canary by James Bolton

Waking up to the chirps of the canary is so sweet.

Yellow Canary by James Bolton, from Harmonia Ruralis, 1824, framed. Estimate: $400-$600

 

Myrtle Beach Dunes Golf by Mark King

Hurry up, it’s almost tee time!

Myrtle Beach Dunes Golf, XL/CXLV, by Mark King, 1991. Estimate: $800 – $1,000

 

Explore the full catalog of fine prints and register to bid in this weekend’s auction.

5 Icons Depicting Images of Old-Time Religion

Jesus Christ and many of the saints are represented in Russian icons that will be sold in this week’s online auction. Icons are revered pictures of Jesus, Mary or the saints and are often Russian. They are made of wood, tin, or precious metals. The icons in this auction predate the 1917 Russian Revolution.

Individual icons in this auction start at the top with the popular Christ Pantocrator. This particular icon dates to 1835 Moscow. Christ Pantocrator refers to a specific depiction of Christ. Pantocrator, or Pantokrator is, used in this context, a translation of one of many names of God in Judaism.

Christ Pantocrator icon, Moscow, 1835, silver riza. Estimage: $6,000-$8,000. Jasper52 image

 

Ranking high on the hierarchy in Russian icons is St. Nicholas the Wonderworker, who is represented in the auction by an 1840s icon originating in St. Petersburg, the former Russian capital. Saint Nicholas, also called Nikolaos of Myra, was a historic fourth-century Christian saint and Greek Bishop of Myra, in Asia Minor. He is also known as Nikolas the Wonderworker because of the many miracles attributed to his intercession.

St. Nicholas the Wonderworker, St. Petersburg, 1840s, silver-gilt riza. Estimate: $5,000-$7,000. Jasper52 image

 

St. Habakkuk, a prophet in the Old Testament, is revered in a 19th century icon of hand-painted egg tempera and gesso on an elongated wood panel. Habakkuk is the author of the Book of Habakkuk and the eight of the collected twelve Minor Prophets.

St. Habakkuk Russian icon, 19th century, hand-painted egg tempera, gesso on wood panel. Estimate: $6,500-$8,000. Jasper52 image

 

Christ is the focal point of this 19th century Kholui school icon, known as The Only Begotten Son. Kholui is a small community 223 miles northeast of Moscow long known for its skilled icon painters.

Russian Icon of the Only Begotten Son, Holui School, 19th century. Estimate: $12,000-$15,000. Jasper52 image

 

A host of saints are depicted in a large Vetka school icon dating to the second half of the 19th century.

Selected subjects icon, Vetka school, second half 19th century. Estimate: $10,000-$12,000. Jasper52 image

Click here to view the full catalog of exceptional Russian religious icons. Auction ends on Saturday, January 28th.

How to Care for Japanese Woodblock Prints

The beauty of Japanese woodblock prints seems to transcend time and space. However, without conscientious care, time and the locations where the prints are displayed can be unkind to these exquisite depictions of Japanese culture.

To gain experienced insight about care, display and storage of Japanese woodblock prints, we turned to Roni Neuer, co-founder of Ronin Art Gallery, New York, NY.

Safe and Savvy Approach to Limiting Light Exposure

“Dainan Gate in Mukden,” Hiroshima Yoshida, circa 1937, est. $900-$1,400. Jasper52 image

As with any work of art on paper, prolonged exposure to sunlight can be damaging to Japanese woodblock prints, Neuer explained. In fact, exposure to any type of light over extended periods of time can do more harm than good. The light causes fading, especially with pre-20th-century prints (Edo period) that often were made with vegetable dyes.

Before giving serious consideration to removing prints and opting for mass storage, Neuer is quick to point out the purpose of art, and therefore the importance of conscientious care.

“To me, the function of art is to bring a little enjoyment to life. Because of the nature of art, and our role as its stewards, we must be mindful of how we care for it, how we hang it, and where we place it.”

With that in mind, Neuer recommends the following measures:

  1. Research potential framers and ask questions.
  2. Ensure framing of Japanese woodblock prints includes glass with a UV filter (conservation glass).
  3. Confirm the use of acid-free or archival materials in matting.
  4. If hinges or tape are used, ensure that they are acid-free and used sparingly.

“Emperor Cranes,” Ohara Koson, circa 1930s, est. $750-$1,000. Jasper52 image

Another essential recommendation Neuer shares with clients is to add the date the print was framed, and every five years replace the frame glass.

“The technology and science of archiving changes, with new processes and better materials,” Neuer explained. “You may have had it framed properly 20 years ago, but in that time it’s lost a lot of protective properties.”

An example of the significant impact of extensive exposure to sunlight is shown below. Two examples of the same Hiroshige woodblock print are shown side by side, with the example on the right obviously faded, due to extensive exposure to sunlight.

Side-by-side views of Hiroshige’s “Plum Garden at Kameido,” showing a perfect example of the print and another that has faded due to exposure to sunlight. Courtesy of Ronin Art Gallery

“Fading and the browning process happens gradually,” said Neuer, who often uses the example of a print with green mountains, which due to extensive exposure to light, was suddenly a print with mountains that had turned blue. “You don’t see it happening, until it’s happened.”

Savvy Storage Practices

Just as in displaying and framing prints, acid-free is a term that must be kept in mind when storing Japanese woodblock prints. Archival (acid-free) papers and folders, and archival boxes help create a protective haven for prints. Cotton rag Japanese-style paper is also used. These types of materials are available through reputable frame shops, art supply stores, and online.

Conscientious care is an integral part of an investment in, and long-term enjoyment of, Japanese woodblock prints. When preservation isn’t kept in mind from the very beginning of one’s ownership of a print, a treasured artwork can be irreversibly ruined – and that’s never an option.


Roni Neuer is one of America’s foremost experts on the subject of 17th- through 21st-century Japanese prints. She co-founded the Ronin Gallery in 1975, with Herbert Libertson. She is the author of more than 40 exhibition catalogs and Ukiyo-e: 250 Years of Japanese Art, a 500-page history of Japanese prints.


Click here to view this week’s auction of Japanese woodblock prints.

6 Highlights from This Marquee Japanese Woodblock Print Auction

More than 200 works are being presented in this week’s Japanese woodblock prints auction ending on Sunday, January 29th. Featuring names like Kiyonaga, Kawase, and Sekino, the collection in this sale reveals nuanced techniques and traditional Japanese values. The works range in their imagery, capturing the scenes of serenity at a temple and the elegance of fashionable women, and all of them exemplify both fine art and exquisite decoration.

Among the oldest prints in the auction is Month of Chrysanthemums by Torii Kiyonaga, printed in 1975. Born Sekiguchi Shinsuke in 1752, he took on Torii Kiyonaga as an art name. Kiyonaga was a ukiyo-e artist of the Torii school. Ukiyo-e artists produced woodblock prints and paintings of such subjects as female beauties, kabuki actors, sumo wrestlers, scenes from history and folk tales, travel scenes, landscapes, flora and fauna, and erotica.

Torii Kiyonaga, ‘Month of the Chrysanthemums,’ 1795, published by Eijudo, signature: Kiyonaga ga. Estimate: $3,200-$4,000. Jasper52 image

 

Among the modern works in this collection is Joichi Hoshi’s Field, printed in 1974 on gold leaf. His prints are now part of collections such as the Museum of Modern Art (Tokyo), the Museum of Modern Art (New York), and the Boston Museum of Fine Art, and the Chicago Art Institute.

Joichi Hoshi, ‘Field,’ 1974, edition: 63/99, print on gold leaf. Estimate: $4,000-$4,500. Jasper52 image

 

Junichiro Sekino (1914-1988) was a Japanese printmaker and a leading promoter of sosaku hanga, an important Japanese art movement that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods. He is represented in the auction with a large print titled Puppet Master or Bungoro on Stage, 3/25.

Junichiro Sekino, ‘Puppet Master’ or ‘Bungoro on Stage 3/25,’ 1953. Estimate: $2,000-$2,500. Jasper52 image

 

Hasui Kawase (1883-1957) was a Japanese artist and printmaker who became a prominent figure in the shin-hanga (“new prints”) movement of the early 20th century. This movement was influenced by European Impressionism and its imagery focused on landscapes, women, and nature. Two of his works are standouts in this auction. The earlier woodblock print is Shiba Zojo Temple in Snow, which was published by Watanabe in 1925.

Hasui Kawase, ‘Shiba Zojo Temple in Snow,’ 1925, published by Watanabe. Estimate: $6,000-$7,000. Jasper52 image

 

The latter was Evening Snow at Ishonomaki, 1935, also published by Watanabe.

Hasui Kawase, ‘Evening Snow at Ishonomaki,’ 1935, published by Watanabe (early state impression). Estimate: $2,800-$3,200. Jasper52 image

 

One of the few Western artists to master Japanese woodblock printing and be recognized in that country was Paul Jacoulet (1902-1960). A fine example of his work presented in this auction is titled Apres La Danse, Celebes (After the Dance, Celebes), done in 1940.

Paul Jacoulet, ‘Apres La Danse, Celebes’ (After the Dance, Celebes), 1940, signed Paul Jacoulet with Butterfly seal, carver: Maeda. Estimate: $2,000-$2,300. Jasper52 image

 

View the full catalog of Japanese woodblock prints and register to bid on Jasper52.

How Dust Jackets Play a Key Role in Value of Collectible Books

In this throwaway society it seems ironic that the 19th-century innovation known as a dust jacket is no longer discarded once the book it was designed to protect is brought home. In collector circles, the paper wrapper is regarded as an integral part of a book.

By definition, the dust jacket is a book’s detachable outer cover, usually made of paper and printed with text and illustrations. This outer cover has folded flaps that secure it inside the front and back book covers.

LEFT: One of the most important literary works of the 20th century and Ernest Hemingway’s most difficult first edition to find with its dust jacket is ‘The Sun Also Rises.’ This first edition with the proper first-edition dust jacket sold at a PBA Galleries auction for $42,000 in 2006. Image courtesy of LiveAuctioneers and PBA Galleries
RIGHT: A first edition of ‘The Sun Also Rises’ without its dust jacket sold at auction in 2006 for only $168. Image courtesy of LiveAuctioneers and PBA Galleries

Early dust jackets looked much different than they do today. After book publishers began using cloth bindings in the 1820s, they started providing dust wrappers, which protected books while being transported from the merchant to the buyer’s home. Because jackets of this type were torn when opened, they were normally discarded. Since they were not intended to be re-used, few survived.

Publishers’ dust jackets of the modern style, which covered just the binding and left the text block exposed, were in wide use by the 1890s.

After 1900, as bookbindings became less decorative, publishers paid greater attention to dust jackets, adding multiple colors, graphics, information and advertising. As dust jackets became more attractive than the bindings, more people began to keep the jackets on their books.

Today it would be unthinkable to discard a book’s dust jacket. Booksellers and collectors generally consider it essential to the package. A dust jacket on a book can be compared to the original finish on a fine piece of antique furniture.

“Not all dust jackets are created equal. It matters most with books that are avidly collected – that usually means some 20th-century literary first editions and fine press books. It can matter much less where the content is the major factor when purchasing the book,” said Dale A. Sorenson, PhD, ISA AM, a rare book expert and former owner of Waverly Auctions Inc. (now Waverly Rare Books).

“Of course, condition of the book and condition of dust jacket – or lack of a dust jacket – can play an important part in determining value. Recent literary first editions without a dust jacket become very difficult to sell unless priced at a few dollars,” said Sorenson.

In many instances a book with its dust jacket will appeal to collectors, but without it? Not so much. “It matters most where the dust jacket becomes the wide swing factor in value – first editions by Hemingway, Fitzgerald, Faulkner, where depending upon the condition of the dust jacket, the presence of one can raise the price 5, 10, sometimes 20 or more times than one without dust jacket,” said Sorenson.

A dust jacket can also support the distinction of whether or not the book is a first edition. As an example, a short statement by Truman Capote is printed in green on the inside front flap of first-edition dust jackets of Harper Lee’s To Kill a Mockingbird. Such examples are scarce and highly prized.

“On Our way” by Franklin D. Roosevelt, 1934, hardcover with dust jacket. Sold for $1,000 by Jasper52.

Since the mid-20th century, it has become a widespread practice for publishers to print the price of a book on the inside flap on the dust jacket, and for many years it was common for the buyer to clip off the corner of the jacket bearing the price. Most book collectors frown upon this practice. In some cases – one being John Steinbeck’s Grapes of Wrath – the lower inside corner of the dust jacket states “First Edition.” Sorenson says,“If clipped, much of the value is gone, as it becomes unclear if the dust jacket is the one that was actually issued with a first-edition copy.”

Another problematic practice is matching a found dust jacket with a book that lacks one. “It is done, but there could be a subtle difference between the original dust jacket and the one supplied, negating the value hoped for by supplying the dust jacket from another source,” said Sorenson, adding that the marriage should be noted along with the source.

Sorenson said that the subject of just jackets is complicated and that there are many exceptions to be considered. Dust jackets add only nominal monetary value to books in general circulation. They function as intended, i.e., to attract the initial buyer and to protect the book from too much direct handling and wear. “Where they do become important is when the book is a title that attracts collectors as opposed to readers,” Sorenson said.

For more information, Sorenson recommends Book Collecting 2000 by Allen and Patricia Ahearn. The first section contains extensive detail on the various aspects of collecting books. He also recommends Collected Books The Guide to Identification and Values by the same authors. It contains less detail about collecting and is primarily an extensive list of books in various categories, with current market prices.

Check out this week’s book auction for excellent antiquarian book finds.


Dale A. Sorenson, Ph.D., is former owner of Waverly Auctions Inc. and currently an ISA accredited personal property appraiser of used and rare books, maps, prints and autographs.

Key Facts and Tips About Collecting Books by U.S. Presidents

The inauguration of the 45th president of the United States is a fitting time in which to compile a few fascinating facts about books written by presidents of the past and present.

Books authored by presidents are a popular choice with collectors, and for good reason. The depth and diversity of topics addressed in such books is simply staggering. Books penned by American presidents appeal to an immeasurable cross section of people. From die-hard bibliophiles and historians, to educators and even the most casual of readers, there is a shared interest in the memoirs from the Oval Office perspective. Below are a few interesting facts on these presidential books:

Fact #1: The first U.S. president put pen – likely a quill pen – to parchment paper well before he was elected to the nation’s highest office. President George Washington wrote “The Rules of Civility & Decent Behavior In Company and Conversation” before he celebrated his 16th birthday. The “Rules,” of which there are 110, are said to be an extension of a list compiled by French Jesuits in the late 16th century. President Washington reportedly copied the rules as part of a writing assignment. Washington’s version of the “Rules” was first published as a book in 1888, according to an article from The Digital Encyclopedia of George Washington by Katrina Schoorl.

Tip #1: Collecting autobiographies written by presidents, especially modern-era presidents, is often a more affordable option if collecting presidential ephemera is the goal. The investment in a president-written book is often less expensive than presidential signatures, according to Ken Gloss, owner of Brattle Book Shop, in an article in The Journal of Antiques and Collectibles.

The Winning of the West, Daniel Boone Edition, leather-bound four-volume set, Theodore Roosevelt, G.P. Putnam & Sons, New York and London, 1900, sold for $9,000 during a 2013 auction conducted by Wiederseim Associates, Inc.

Fact #2: Many presidents opted to write memoirs or autobiographies, or assist in biographies about them. Presidents Theodore Roosevelt and Jimmy Carter both took this approach. In addition, their prolific literary paths also included writing adventure tales or fiction, respectively. Roosevelt, reportedly the author of more than 30 books, wrote about the settlement of the Western U.S. in the multi-volume work “The Winning of the West.” In addition, Carter’s tale “The Hornet’s Nest,” was the first fiction novel written by a U.S. president.

The Winning of the West, Daniel Boone Edition, leather-bound four-volume set, Theodore Roosevelt, G.P. Putnam & Sons, New York and London, 1900, sold for $9,000 during a 2013 auction conducted by Wiederseim Associates, Inc.

Fact#3: Various U.S. presidents’ writings have achieved bestseller status, but only one has garnered a Pulitzer Prize. President John F. Kennedy was awarded the 1957 Pulitzer Prize for Biography for his book Profiles in Courage, although for years there have been rumblings about the book having been written by a ghostwriter.

Tip #2: One way to enhance a collection of works written by U.S. presidents is to consider including books written by first ladies. In the 2015 blog post Collecting Rare Books and Autographs of American Presidents, from Bauman Rare Books’, author Rebecca Romney refers to books by Eleanor Roosevelt and Jackie Kennedy Onassis. Romney states, “Books signed or written by Jackie O. and other first ladies are naturally a rewarding path to explore as well.”

Personal Memoirs of U.S. Grant, Ulysses S. Grant, Charles L. Webster & Company, New York, 1885, first edition, two-volume set, sold for $676 through Early American History Auctions in 2015.

Fact #4: Thomas Jefferson, the man credited with authoring the Declaration of Independence, was also a serious bibliophile. At one time, his personal library included nearly 10,000 books. In a letter he wrote to John Adams, Jefferson stated, “I cannot live without books,” according to an article by Endrina Tay appearing on the Encyclopedia Virginia site. In addition to published letters, he completed one full manuscript, “Notes on the State of Virginia.” This work was published in 1785, with an initial run of 200 copies paid for by Jefferson, according to information on the Massachusetts Historical Society site.

A video from the Massachusetts Historical Society about the conservation of Jefferson’s “Notes on the State of Virginia” can be viewed on YouTube.

Interested in viewing rare books by presidents and prolific authors alike? Take a look at this week’s Jasper52 books auction. You’re “bound” to find something to enjoy. 

Discover 19th Century United States in 13 Antiquarian Maps

One interesting way to understand historical picture is through antiquarian maps. Maps can tell stories with a unique geographical, objective perspective in a way no other medium can. And they make great wall art.

Today, we’re traveling back in time through these 13 historical maps of US states from the 19th century:

Florida, 1835

Map of Florida by Illustrator and Cartographer Thomas G. Bradford, First Edition, 1835. Estimate: $200-$250

 

Arkansas, 1841

‘Tanner Map of Arkansas – A New Map of Arkansas with its Canals Roads & Distances,’ Cartographer: Henry S. Tanner, 1841. Estimate: $200-$250

 

Atlas Map of Texas, 1873

Gray’s Atlas Map of Texas, Illustrator: O. W. Gray, 1873. Estimate: $250-$300

 

New York, 1846

A New Map of New York with its Canals, Roads & Distances, Cartographer S. Augustus Mitchell, Illustrator H. Burroughs, First Edition, 1846. Estimate: $150-$200

 

New Jersey, 1814

The State of New Jersey, Compiled from the Most Authentic Information, Cartographer M. Carey, 1814. Estimate: $600-$800

 

Illinois, 1874

Warner Beers Map of Illinois: Political and Geological – Political Map of Illinois / Worthen’s Geological and Climate Map of Illinois, ca 1874. Estimate: $100-$150

 

Indiana, 1846

A New Map of Indiana with Its Roads & Distances, Cartographer: S. Augustus Mitchell, Illustrator H.N. Burroughs, 1846. Estimate: $100-$150

 

Iowa, 1853

A New Map of the State of Iowa, Cartographer: S. Augustus Mitchell, Publisher: Thomas Cowperthwait & Co, 1853. Estimate: $150-$200

 

Nebraska & Kanzas, 1855

Nebraska and Kanzas, Cartographer: J. H. Colton, 1855. Estimate: $200-$250

 

Minnesota, 1882

Rand McNally Map of Minnesota – Rand McNally & Company’s Indexed Atlas of the World, 1882. Estimate: $100-$150

 

Ohio, 1887

J.T. Barker’s Rail Road and Township Map of Ohio, 1887. Estimate: $100-$150

 

California, 1892

New Business Atlas Map of California, Rand McNally, 1892. Estimate: $150-$200

 

Texas, 1883

Texas, Cartographer: George F. Cram, 1883. Estimate: $120-$200

 

Want to explore more of the United States or perhaps jump continents? Check out this week’s Antiquarian Map auction for beautiful map prints.

4 Keith Haring Prints to Draw You In

This upcoming sale of fine prints presents a collection that fuses fine art, illustration and history, and displays wonders of the natural world. The most stand out of the 120-lot auction? These four Keith Haring works. Keith Haring is an American artist best known for his graffiti-inspired drawings, and the four works presented here are all from 1988-89. Take a look:

First up is Two Dancing Men with Heart, which is acrylic paint on heavy artist paper.

Keith Haring, ‘3 Dancing Men,’ 1989, signed by artist. Estimate: $500-$800. Jasper52 image

Next is Dancing Pregnant Women with Spotted Radiant Baby, done in marker on heavy artist paper.

Keith Haring, ‘Dancing Pregnant Women with Spotted Radiant Baby,’ 1988, signed by artist. Estimate: $500-$800. Jasper52 image

Another marker on heavy artist paper is 3 Juggling Men.

Keith Haring, ‘3 Juggling Men,’ 1989, signed by artist. Estimate: $500-$800. Jasper52 image

And finally we have Three Dancing Men, marker on heavy artist paper.

Keith Haring, ‘3 Dancing Men,’ 1989, signed by artist. Estimate: $500-$800. Jasper52 image

Of course this print auction is full of many treasures including exquisite hand-colored prints of flowers and animals found within the pages of their scientific journals. Click here to view the full catalog and bid in the auction.

5 Types of Unusual Americana to Display in Your Home

If you’re looking for a conversation piece for your home that no one else could possibly have, you might want to check out the many subcategories of Americana. You’ll be amazed at the artistry and ingenuity that went into hand-made objects and one-of-a-kind hand-painted signs from the 18th through 20th centuries.

Many of the things modern-day Americana fans covet were never intended to be collectibles of the future; they were meant to be functional items of their own time. Today they’re all part of our cultural history and are charming to us because of their naïveté, including the misspelled words and use of non-traditional materials.

You might choose to display just one piece as an artwork on its own and later find that it becomes the springboard for an entire collection – don’t be surprised if that happens!

Here are five unusual types of Americana you can watch for in online auctions or as you browse through antique shops or flea markets:

Hand-Painted Sleds

Early painted-wood child’s sled with stenciled horse motif and cast-iron rails terminating in figural swan decorations. Image courtesy of LiveAuctioneers and Milestone Auctions

Early painted-wood child’s sled with stenciled horse motif and cast-iron rails terminating in figural swan decorations. Image courtesy of LiveAuctioneers and Milestone Auctions

 

Canine Antiques

Antique dog muzzle of metal and leather. Photo by Catherine Saunders-Watson

Antique dog muzzle of metal and leather. Photo by Catherine Saunders-Watson

 

Old Store Displays

Unique circa-1940s sheet metal robot used by a hardware store as a mascot and “trade stimulator.” Note the eyes made from lead marbles and the use of screen to help create the illusion of teeth and nostrils. Photo by Catherine Saunders-Watson

Unique circa-1940s sheet metal robot used by a hardware store as a mascot and “trade stimulator.” Note the eyes made from lead marbles and the use of screen to help create the illusion of teeth and nostrils. Photo by Catherine Saunders-Watson

 

Non-Manufactured Signs

Antique hand-crafted wood trade sign used by a farrier to identify his place of business. Photo by Catherine Saunders-Watson

Antique hand-crafted wood trade sign used by a farrier to identify his place of business. Photo by Catherine Saunders-Watson

 

Hand-Painted Game Boards

Chinese checkers game board, circa 1930, hand-painted plywood. Image courtesy of Jasper52

Chinese checkers game board, circa 1930, hand-painted plywood. Image courtesy of Jasper52

 

Once you venture into the colorful, often whimsical realm of Americana, you’ll find it irresistible. Our ancestors definitely left us a rich supply of objects from which to choose, an best of all, you can start a collection with relatively little money.

Click to view this week’s curated Americana auction hosted on LiveAuctioneers. Bid today.

Persian Rugs That Make Your Home Feel Like a Palace

For anyone searching for floor coverings for their palace (or their non-palatial abode), this week’s Persian and Asian rug auction features large room-size choices – some of them antique. Don’t worry, there are also smaller rugs to spruce up even the smaller spaces. Below are a few of the highlights in this collection:

Among the finest is a Garrous Bijar Gol Farang wool rug made in the 1870s in Iran. Measuring nearly 12 by 15 feet, it has a $10,000-$15,000 estimate.

Garrous Bijar Gol Farang design rug, Iran, 1870s, wool, 11.9 x 15 feet. Estimate: $10,000-$15,000. Jasper52 image

Garrous Bijar Gol Farang design rug, Iran, 1870s, wool, 11.9 x 15 feet. Estimate: $10,000-$15,000. Jasper52 image

Even larger is this Persian Nain rug in a rare large size – 11 feet 9 inches by 17 feet 8 inches. This sweeping floor covering is made of Persian fine wool and silk, features intricate design, and carries an $8,000-$12,000 estimate.

Persian fine wool and silk floral Nain rug, cotton foundation, 11 feet 9 inches x 17 feet 8 inches. Estimate: $8,000-$12,000. Jasper52 image

Persian fine wool and silk floral Nain rug, cotton foundation, 11 feet 9 inches x 17 feet 8 inches. Estimate: $8,000-$12,000. Jasper52 image

This Chinese Peking Art Deco geometric trellis rug is from the 1950s and made of 100% hand knotted wool. The gold and blue rug is expected to sell for $4,500-$6,000.

Chinese Peking Art Deco geometric trellis rug, 11 feet 6 inches x 16 feet 10 inches, circa 1950s, hand-knotted wool. Estimate: $4,500-$6,000. Jasper52 image

Chinese Peking Art Deco geometric trellis rug, 11 feet 6 inches x 16 feet 10 inches, circa 1950s, hand-knotted wool. Estimate: $4,500-$6,000. Jasper52 image

Considered semi-antique is this 1930s Sharabian Heriz rug that measures about 11 by 15 feet and has an $8,000-$12,000 estimate.

Sharabian Heriz rug, Iran, 1930s, wool, 11.4 x 14.10 feet. Estimate: $8,000-$12,000. Jasper52 image

Sharabian Heriz rug, Iran, 1930s, wool, 11.4 x 14.10 feet. Estimate: $8,000-$12,000. Jasper52 image

One of the most colorful in the collection is this Persian Tabriz rug made of lamb’s wool on a cotton foundation, and colored with natural vegetable die. The rug features beautifully executed geometric borders sure to make your room pop.

Handwoven Persian Tabriz rug, 11.7 x 10 feet. Estimate: $3,500-$5,000. Jasper52 image

Handwoven Persian Tabriz rug, 11.7 x 10 feet. Estimate: $3,500-$5,000. Jasper52 image

The final highlight of our collection this week is this vividly colored Persian Qashqai rug, which dates back to the early 1900s.

Antique Qashqai rug, Iran, wool, 4.5 x 7.2 feet. Estimate: $4,000-$5,000. Jasper52 image

Antique Qashqai rug, Iran, wool, 4.5 x 7.2 feet. Estimate: $4,000-$5,000. Jasper52 image

View the full collection of Persian and Asian rugs in this week’s sale hosted on LiveAuctioneers.