Colorful patterns run through Jasper52 rug auction April 3

Jasper52 will present a fresh selection of 178 vintage handmade
rugs – primarily Persian – in an online auction on Wednesday, April 3.

Antique Bakhtiari rug, southwest Iran, circa 1890, 6ft. 5in. x 4ft. 7in. Estimate: $2,000-$3,000. Jasper52 image

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A passionate wave to vintage fans

NEW YORK – Hand fans began as a strictly utilitarian item, to keep its owner, usually ladies, cool on a hot day. Picture Cleopatra reclining on a sofa while a servant fanned her with a large fan. Somewhere along the way, fans got smaller so they could travel in a bag and became quite decorative. Many types of hand fans are collectible today, including both folding fans as well as fixed fans that don’t fold.

This fan by Alexandre, circa 1880, sold in December 2018 for $2,516. It is believed to have belonged to the Infanta Maria de la Paz, daughter of Queen Isabella II of Spain and her husband Francisco. Photo courtesy Tennants

The history of fans is rich, going back some 3,000 years with fixed fans being among the earliest of type, according to commentary on the website of The Fan Museum in Greenwich, London. “Few art forms combine functional, ceremonial and decorative uses as elegantly as the fan. The first European folding fans were inspired by and copied from prototypes brought in to Europe by merchant traders and the religious orders who had set up colonies along the coasts of China and even Japan. These early fans were reserved for royalty and the nobility and, as expensive toys, were regarded as a status symbol.”

Some collectors are eclectic, collecting a variety of fan styles but many specialize in one type, such as those advertising a product or made of bone or lace or featuring a certain decoration theme.

“People sometimes want to collect fans from different countries or that are defined by their time period,” says Abbey Block Cash, president of the Fan Association of North America. “Fans are also desirable based on their materials; the sticks may be constructed of lacquer, carved ivory, resin, tortoise, bone, wood, silver, gold, metal, or mother of pearl. The fan leaf may be of silk, cotton, satin, lace, decoupe or feathers.

An unusual Brussels lace fan mounted on pierced and gilded mother-of-pearl sticks and lace, circa 1880s, sold for $2,914 in March 2019 at Tennants. Photo courtesy Tennants

“The subject matter of desirable fans will also vary from love scenes to animals, landscapes, occupations, and activities engaged in by individuals, including intimate relationships,” she said. “Fan designs may be hand-colored, printed, lithographed or painted – and they may be adorned with embellishments such as sequins, pique work, weavings or precious or semiprecious stones.”

Mary Cooper, a longtime dealer in antique costume/textiles and publicity officer for the Fan Circle International, began selling vintage dresses while still a student in England about 40 years ago. Her passion for fans began when searching for an antique lace veil to wear for her wedding and finding a lacy fan.

A Duvelleroy fan with monture by Podani, circa 1880s. Photo courtesy the collection of The Fan Museum, UK

Cooper said fans ultimately became fashion accessories, able to be folded up and hung from a lady’s belt or carried in a handbag. “You want something that’s practical, is pretty and fits in a bag but has the sort of amazement factor.”

She has traded in and collected many lace fans and is personally drawn to Art Deco and Art Nouveau fans, around the same time (early 1900s) that women smoking cigarettes was no longer taboo, bringing about the demise of fans. Holding a cigarette in one hand and a drink in the other, women stopped carrying fans as they didn’t have a spare hand to hold it, she explained.

Detailing the history of fans, she said, “If you can imagine trade starting from Asia into Europe, the import agencies brought into Italy and into Marseilles in the south of France. The Italian artists used to paint a leaf, which is what we what we call the paper that sits on top [of the fan].” Fan leafs are often made of paper today but in those days it was lambskin or goatskin, made thin, she explained. “That’s one of the ways we can tell the age of a fan as in what that bit on the top is made of,” she said.

A vividly hand painted paper folding fan with Texas scenes realized $30,000 in April 2013 at Dorothy Sloan – Rare Books. Photo courtesy of Dorothy Sloan – Rare Books and LiveAuctioneers

By the 18th century, folding hand fans were made throughout Europe, into England and later in America; crafted of such elegant materials as tortoiseshell, ivory, bone and lace. The decoration on their leaves was ornate and meant to spark conversations among the fashionable ladies carrying them as well as conveying status.

Among the most famous of Europe’s fan makers were Felix Alexandre (b. 1823), who made fans for European royalty, Lachelin and Kees, and last but not least the House of Duvelleroy, founded in 1827 to make fans fashionable again. Interestingly, in 2010 two women pooled their savings to buy the rights to trade as Duvelleroy and are again making fans.

An early calligraphy paper fan by noted Chinese artist Zhang DaQian, hand-painted, earned $13,495 in June 2017 at Five Star Auctions & Appraisals. Photo courtesy of Five Star Auctions & Appraisals and LiveAuctioneers

Fans from all antique periods are popular but perhaps none more so than circa 1890s-1920s fans “where you have Art Nouveau styling, which was just beautiful design, color and shaping to the fan itself and good artists painting them,” Cooper said, adding that fans from that brief period are few, which pushes up the price. Faberge fans are also rare and highly collectible.

“You either want to buy a fan made in small numbers or you want to buy a fan with what we call provenance,” she said. “As a collector, I know I can’t collect one belonging to Queen Elizabeth II because she keeps them, but I can collect from someone who was in high society when fans were popular. We are always looking for fans that belong to somebody, it’s important if we can find them but it is quite a challenge, so you have to content yourself with just high-quality ones.” Conversely, cheaply mass-produced fans were not expected to last, so surviving examples can be rare and desirable.

NHADA presents Americana, folk art auction March 28

More than 300 lots of outstanding Americana, vintage objects made and used in America, are offered in a Jasper52 online auction on Thursday, March 28. This exciting auction will feature items exclusively from the prestigious New Hampshire Antique Dealers Association. Rounding out the catalog are many lots of folk art, artistic works created by untrained artists in cultural isolation.

Carved wood heart in hand finial, 1930, 12in. high x 5in. wide, Maine origin, Estimate: $3,000-$3,200. Jasper52 image

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Miami Beach Antique Show brings auction to Jasper52 March 30

On March 30, Jasper52 will present an auction loaded with choice items exclusively from the prestigious Miami Beach Antique Show. From iconic Van Cleef & Arpels Alhambra jewelry to an exquisite museum-quality clock and garniture set, this special online auction features only the best in jewelry, watches, decorative art and fine art.

Patek Philippe women’s 18K rose gold and diamond Twenty~4 quartz wristwatch, ref. 4908/11R. Estimate $23,000-$28,000. Jasper52 image

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Warm and casual Southwest style enjoying revival

NEW YORK (AP) – A desert storm is brewing in the design world. Renewed interest in earthy color palettes, rich textures, tribal patterns and rustic elements has sparked a revival of Southwestern decorating style, long associated with homes in New Mexico and Arizona.

The look is interesting and exciting but also warm and casual, designers say.

William Acheff, b. 1947, AOA, NAWA, ‘Pueblo’s Pottery,’ signed l/r: © WM. Acheff, 1982, oil on canvas,16in. by 26in. Image courtesy of Altermann Galleries & Auctioneers and LiveAuctioneers

“The overarching trend for 2019 is all about being real. It’s about surrounding yourself with nature, including natural fibers and earth tones,” said Dayna Isom Johnson, a trend expert with Etsy.com, the online marketplace that focuses on handmade and vintage goods. That’s a change from 2018, she says, when “it was fantasy, celestial and unicorns,” design inspired by mythology and science fiction.

Southwestern decor – distinguished by colorful, geometric prints and a palette that includes periwinkle, terra-cotta, cream and tan – often evokes a desert feel, said Maggie Lydecker, a designer for the online home-goods store, Wayfair.com.

Large Navajo pictorial rug, circa 1930, native handspun wool, aniline dyes, 74½in. x 107¼in. Image courtesy of Heritage Auctions and LiveAuctioneers

“Southwestern looks feature natural elements that bring the outdoors inside even in a small space that could otherwise look stark,” she said. “For those who are hesitant to pinpoint one particular style, Southwestern can be a nice compromise, as it encompasses many different elements such as batik, leather or relaxed linen. It is easy to mix and match with this style – so what’s not to love?”

Since many homes are in styles or regions that don’t automatically scream “Southwest,” start with small touches, Isom Johnson suggests. “When a trend happens, you don’t have to deck out your entire home,” she said.

Frank Peshlakai (1903-1965) Navajo silver and turquoise jewelry box, marked ‘FP’ with the artist’s arrow hallmark on inside of lid; 1.75in. high x 3.75in. wide x 4.75in., mid-20th century. Image courtesy of Cowan’s Auctions and LiveAuctioneers

Consider adding a throw to your bed, a rug in your foyer, a piece of pottery on a living room table or new knobs to your kitchen cabinets, she said.

Linda Robinson, who works as an interior designer in Arizona, says that even there she adheres to the principle of blending Southwestern pieces with other elements. “It can be beautiful – the mixing,” she said. “Mixing gives character. It’s very today.”

Navajo Third Phase Chief’s Blanket, finely woven in aniline dye; nine stepped diamond anchor points, 77in. x 58.5in, circa 1880-1885. Image courtesy of Cowan’s Auctions and LiveAuctioneers

She routinely combines Southwestern items with European antiques or Persian rugs. Two or three antique Apache baskets on a French secretary desk would create “a real focal point,” she said. She often uses wood or metal tables as pedestals to display eye-catching Southwestern pottery, baskets or art. She also gravitates to furniture with clean lines because it allows such special pieces to pop.

Traditional terra-cotta tiles are another mainstay of this style and can be interspersed throughout the home, Lydecker said. “Bathrooms, kitchens and stairways are great spots to have some fun with tile and clay elements,” she said.

Acoma Pueblo four-color pottery water jar, circa 1900, painted with birds and foliage, 7in. high x 9¼in. diameter. Image courtesy of Westport Auction and LiveAuctioneers

Osa Atoe, a potter in Baton Rouge, Louisiana, incorporates geometric patterns and neutral colors with a Southwestern feel in her pottery. The look is classic, she says, and easily fits in different homes. Her pieces are “colorful and neutral at the same time.”

Vanessa Boer of Portland, Oregon, designs Southwestern-inspired housewares. “My shop’s focus is on textiles, primarily pillows, so people are able to add a pop of color or bold pattern on a couch or chair,” she said. “This adds some fun or character without having your entire living room covered in patterns, or feeling so entrenched in a specific style that you feel compelled to redecorate a year later.”

Western Apache pictorial olla basket, 16in. high, 12in. diameter. Estimate $5,000-$7,000. Image courtesy of Leslie Hindman Auctioneers and LiveAuctioneers

When done right, Southwestern pieces will gel with elements already in your home, Lydecker said.

“The textiles are often layered, which creates a relaxed, inviting ambiance,” she said. “With white being popular for walls and overall room palettes, Southwestern decorative elements provide a playful juxtaposition that doesn’t feel forced.”

By MELISSA KOSSLER DUTTON, Associated Press

Copyright 2019 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

Woodblock print sale March 31 pictures scenic Japan

Major names in 20th century Japanese printmaking are featured in a Jasper52 auction scheduled for Sunday, March 31. This premier online auction is composed of 125 beautiful woodblock prints by the likes of Hiroshi Yoshida, Hasui Kawase, Tokuriki Tomikichiro, Takahashi Shotei, Junichiro Sekino, Ogata Gekko, as well as Western artists who work in the Japanese tradition, such as Paul Binnie.

Hiroshi Yoshida, ‘Fujiyama Autumn,’ 1928, first edition with jizuri seal in left margin, 16¾ in. x 10¾in. Estimate: $1,700-$2,000. Jasper52 image

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Silver shines through Jasper52 decorative arts auction March 19

Exquisite sterling silver services, colorful glass, Russian enamel centerpieces, and even a Georg Jensen flatware set are among the treasures offered in an Exceptional Decorative Art & Silver auction that will be conducted online by Jasper52 on Tuesday, March 19. Bid absentee or live online exclusively through LiveAuctioneers.

Art Deco six-piece French antique sterling silver tea set designed by Auguste Leroy, circa 1925, with silver-plated tray. Estimate: $9,000-$11,000. Jasper52 image

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English silver retains look, feel of royalty

NEW YORK – Collecting silver not only offers the tactile pleasure of holding a fine three-dimensional object expertly crafted but it also appeals to the eye. Akin to a piece of “statement jewelry,” fine works of art in silver make an elegant tableau. From elegant cutlery with scalloped or repousse handles to architectural candlesticks and a striking centerpiece with a profusion of cast elements, no table is complete without good silver.

English silver, particularly Georgian (1714-1830) and Regency (1811-1820) period examples, are highly desirable.

This double-handled covered cup is one of the earliest works by Paul de Lamerie, a Dutch-born silversmith who became one of London’s best craftsmen. Photo courtesy of M.S. Rau Antiques, New Orleans.

“In regard to silver, during the Early Georgian period (1714-1760), Queen Anne style reigned supreme, marked by simple, elegant forms and minimal decoration,” said Deborah Choate, sales consultant at M.S. Rau Antiques in a blog. “However, around 1725, elements of the exuberant Baroque and Rococo styles began to appear. By the Late Georgian period (1760-1811), a Neoclassical esthetic prevailed, which harkens back to the classical forms of antiquity, particularly the art and architecture of Ancient Greece and Rome.”

This George III English silver epergne, London, 1768, marks for Emick Romer, brought $24,000 in November 2018 at Brunk Auctions. Photo courtesy of Brunk Auctions and LiveAuctioneers.

Among the best-known British silversmiths in this era were Hester Bateman (1704-1794) and Paul Storr (1771-1844). Bateman became one of the best-known woman silversmiths after her husband died. At age 51, she took over his silver business and defied convention at the time, creating elegantly simple works even though the Rococo style was in vogue.

Storr also favored a minimalist aesthetic in keeping with the Neoclassical style, creating plain and unembellished forms that often featured naturalistic designs. While much of his tableware was simple, he did create lavish pieces for royalty and made most of the silver bought by King George III and King George IV.

This important English silver centerpiece sold for $17,000 in November 2017 at The Popular Auction. Photo courtesy of The Popular Auction and LiveAuctioneers.

In sharp contrast to its predecessor, Regency era silver is the most sumptuous and striking of English silver styles. Ornately embellished with scrolling acanthus and shell accents or having cast details like a lion’s head on the spout of an urn, Regency silver overall was a diverse grouping encompassing bold decoration and expert craftsmanship the extent of which has seldom been seen since.

A pair of English sterling silver servers with ivory handles made $25,000 in May 2015 at Clars Auction Gallery. Photo courtesy of Clars Auction Gallery and LiveAuctioneers.

Becoming a scholar of English silver means one is introduced the world of hallmarks, of which there are many. Hallmarks do more than merely identify the silversmith, a series of marks also convey how pure the silver is, its origin and age or that duties were properly paid as well as the assay office certifying the piece. Books as well as online reference guides can provide exhaustive information to identifying pieces.

“Collecting silver need not break the bank and a Charles Horner silver thimble might cost you around £10 at auction, a hat pin by the same maker around £30-£40 and an enamel and silver pendant by him around £200,” according to an article posted by Richard Winterton Auctioneers on its website. “At the other end of the spectrum Georgian and Regency silver by some of the most famous British silversmiths can sell for over £100,000 but there is much more to be had in the £100-£1,000 price bracket.”

A Moses Montefiore silver Sabbath goblet having a tulip form bowl, London, 1881, made $22,000 in February 2015 at Pasarel. Photo courtesy of Pasarel and LiveAuctioneers.

Even in America, museums are devoted collectors with sublime examples finding their way into permanent collections in renowned institutions, such as the Virginia Museum of Fine Arts, which in a 2010 press release announced the gift of 50 choice pieces of English silver from collector Rita R. Gans of New York, transforming the museum’s collection. At the time, VMFA Director Alex Nyerges said it was “the most important and fabulous gift of English silver in memory in many years to any museum in the world.”

A Manchester Cup silver trophy, Elkington & Co., Birmingham, 1903, realized $18,000 in June 2018 at Dan Morphy Auctions. Photo courtesy of Dan Morphy Auctions and LiveAuctioneers.

Some collectors collect only one form, such as candlesticks or epergnes while others seek out the best forms from one maker, and for others, it’s silver wares associated with one period or king.

For new collectors, a great way to start collecting silver is to start small either by focusing on smalls like silver thimbles or snuff boxes or if you favor larger pieces, adding one covered dish or teapot at a time. Learning is a lifelong process and while you educate yourself on the myriad of hallmarks pieces are engraved with, you will also absorb some of the social history of each piece. The more pieces you see and handle, the better you will train your eye and you will start to know the feel and weight of a piece, judge its patina, flaws and quality.

Stars come out March 13 for Hollywood’s Golden Era in Photography sale

Jasper52 will present an encore of the Golden Age of Hollywood – both on and off the silver screen – in an online auction of photo enlargements of the stars on Wednesday, March 13. Audrey Hepburn, Sophia Loren, Marlon Brando, James Dean and Marilyn Monroe are just a few of the iconic faces in this sale.

Audrey Hepburn as Holly Golightly in ‘Breakfast at Tiffany’s,’ 1961, photo by Bud Fraker,
11in. x 14in. silver gelatin print. Estimate $700-$800. Jasper52 image

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Famous antiquarian maps find their way to Jasper52 auction March 12

Grab a compass and hone in on the Premium Antiquarian Maps auction to be conducted by Jasper52 on Tuesday, March 12. This finely curated auction celebrates early cartography at its finest. Discover an antique illustrated maps and views by some of the most significant cartographers of their times, such as Ortelius, Hondius and Ruscelli. Not only will these maps serve as decorative pieces, but also reveal innumerable ways to view the world.

H. Hondius map of Bermuda, 1633, based on the landmark survey by Richard Norwood of the Bermuda Company, also known as the Somers Isles Company, in 1618, 15.5 x 20.5 in. Estimate: $700-$800. Jasper52 image

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