Exquisite decorative arts abound in Nov. 3 online auction

It’s astonishing what the right thing in the right place can do for the look and feel of an interior. Some pieces are functional and become beloved household objects and even heirlooms. Others might have been purpose-made for a specific task that was rendered obsolete generations ago. Still others, from the moment of their conception, had the sole job of looking beautiful and bringing joy. On Wednesday, November 3, starting at 7 pm Eastern time, Jasper52 will hold an auction titled Exquisite Decorative Arts, containing 353 lots of objects, keepsakes, and perfect little touches that make a room sing.


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Jasper52 offers original Modern lithographs and etchings, Nov. 3

Prints might be the perfect medium for launching an art-collecting career. Seemingly countless beautiful and compelling works by well-known artists are available in this two-dimensional form; the variety of choices can be startling in its breadth and scope. On Wednesday, November 3, starting at 7 pm Eastern time, Jasper52 will conduct a sale of Original Modern Art Lithographs and Etchings in New York. The 67-lot sale features many works by 20th century Pop Art legend Andy Warhol (American, 1928-1987) as well as creations by the peerless master of multiple media, Pablo Picasso (Spanish, 1881-1973); Alexander Calder (American, 1898-1976), who possessed an almost wizardly command of color; contemporary French artist Michel Delacroix (b. 1933-), whose work focuses on street scenes of Paris; and the beguiling contemporary Japanese artist Yayoi Kusama (b. 1929-).

Alexander Calder, ‘Braniff Airlines Flying Colors Suite,’ est. $4,000-$5,000

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Trade Beads: First-String Collectibles

A collection of several strands of trade beads, boasting a range of colors, realized $125 plus the buyer’s premium in July 2015. Image courtesy of Sterling Associates and LiveAuctioneers

Africans have valued cowrie-shell and bone beads since well before written history. Tribes eagerly accepted the sleek, shiny glass beads that 15th-century European traders offered in exchange for commodities such as salt, gold, palm oil or ivory. 

Because trade beads were typically produced on demand to suit the tastes of those on the receiving end, their designs varied from village to village. And since their production numbers were in the thousands, it can be difficult to link specific ones to particular African regions. One exception is the large, round, chunky variety known as “Dutch Dogons,” which were produced in the Netherlands or Germany during the 19th century. They have been found in vast quantities in central Mali, home of the Dogon tribespeople. Most are bright cobalt blue, while others are brown, black, or white. 

A strand of Dogon cobalt glass ring or “annular” beads sold for $100 plus the buyer’s premium in August 2020. Image courtesy of Allard Auctions Inc. and LiveAuctioneers

Thousands upon thousands of African trade beads were also produced in Venice and Murano, Italy. Doughnut and pineapple-shape glass chevrons, which are the most common, feature characteristic layering produced by winding multiple molten colored glass rods around hollow canes. This resulted in a layered stripe or ornamental rosetta-star pattern, usually in combinations of red, white, and blue. Deep green chevron beads, known as “watermelons,” feature delicate white, green, and red stripes. 

Bi-conical king chevrons, highly favored by tribal chiefs, do not depict rosettas. Instead, they display characteristic horizontal stripes produced by winding molten yellow, black, and green glass threads around long, thin central rods, then shaping them. 

A string of African chevron trade beads realized $80 plus the buyer’s premium in January 2021. Image courtesy North American Auction Company and LiveAuctioneers

Spherical French cross beads, also known as “Bedoums,” range from 5mm to more than 12mm (roughly a quarter to a half-inch) in size. As with king chevrons, they were created by winding molten glass around metal cores. Most feature thin, colorful crosses or trailed designs applied by hand. Because these beads were produced in limited numbers, many Africans, particularly those in central Mali and along the coast of West African, found them desirable. 

Venetian skunk beads, on the other hand, were traded along the coast of East Africa. As merchants ventured inland in search of additional resources, these distinctive red, black, or white dotted pieces, also known as “eye beads,” eventually found their way to Mali. 

A group of Venetian millefiori glass trade beads achieved $475 plus the buyer’s premium in January 2016. Image courtesy of Quinn’s Auction Galleries and LiveAuctioneers

Throughout Africa, Venetian millefiori, or “thousand flower” beads, were the most prized of all. They featured tiny floral patterns created by arranging colorful glass threads in hollow glass rods that were fused, then drawn thin. After slicing these rods into tiny, slender, cross-sectional round discs, each disc was shaped around a metal core and fired. 

During the mid-1800s, large, luminous moon beads, likely invented in Murano, appeared on select sample cards used by European bead manufacturers to market their wares. These beads are often associated with the Yoruba people of present-day Nigeria, who believed that the moon held spiritual significance. 

Multiple strands of yellow-dominated Venetian glass African trade beads sold for $240 plus the buyer’s premium in May 2016. Image courtesy of Quinn’s Auction Galleries and LiveAuctioneers

From the 19th century on, enormous numbers of African trade beads were produced in Bohemia. Most were inspired by so-called “bead researchers” who, after consulting with merchants across Europe, brought sketches of popular designs to Bohemian glass manufacturers. Though most of their beads were relatively simple, innovative technical strides allowed uniform, high-quality, speedy production. 

Bohemian Mali wedding beads, popular among the Fulani people, often resembled pineapples, hourglasses or lightbulbs. Their bulbous shapes, which symbolized fertility in Mali culture, sparked a tradition of fathers giving them to daughters just before a wedding. The beads were available in single opaque shades as well as flecked and striped varieties. 

Round or oval Bohemian colodontes, also known as “hummingbird egg” or “pigeon egg” beads, resemble smooth, round, glossy eggs like those laid by small birds. They have been found not only in Mali, but also along the West African coast. 

A trade bead collection including millefiori, chevron, sand cast, wound glass and Hudson Bay red-white hearts realized $150 plus the buyer’s premium i

As African trade beads passed from hand to hand and continent to continent, many suffered fading, pitting, chipping, and other signs of excessive use. Yet today, each is a poignant, visually striking and highly collectible piece of history. 

Americana, Folk Art and Outsider Art set the pace for Oct. 28 auction

On Thursday, October 28, starting at 6 pm Eastern time, Jasper52 will offer a 424-lot sale of Americana, Folk Art, and Outsider Art. As always, the auction is curated by Clifford Wallach, an expert in tramp art, folk art, and Americana.

Late 19th-century Ethan Allen form horse weathervane, est. $2,000-$2,500

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Jasper52 presents Designer and Signed Jewelry sale, Oct. 27

On Wednesday, October 27, starting at 8 pm Eastern time, Jasper52 will host a tightly curated 73-lot sale of Designer and Signed Jewelry. It contains an Elsa Peretti for Tiffany & Co. yellow gold and diamond solitaire necklace; a Maramenos & Pateras yellow gold and lapis lazuli earrings and necklace set; a sterling silver brooch by Georg Jensen; a set of 18K yellow and white gold earrings by VR; a vintage Oscar Heyman yellow gold, platinum, diamond and emerald bracelet; a Spain Carrera 18K gold necklace; an 18K gold ladies’ watch by Boucheron with diamonds and rubies, and dozens more.

18K yellow gold and lapis lazuli necklace and earring set by Maramenos & Pateras, est. $8,000-$10,000

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A flag signed by Apollo 15 Commander Dave Scott, which he carried in his space suit when he walked on the moon’s surface, sold in September 2020 for $22,000 plus the buyer’s premium. Image courtesy of RR Auctions and LiveAuctioneers

We can’t all go to space, even if we desperately want to. The Federation Aeronautique Internationale, the governing body that defines space flight, states that as of July 2021, only 574 individuals from 41 countries have made it to outer space, which is defined as traveling higher than 100 miles or 62 kilometers. Of those 574, just 12 have walked on the moon.

The next-best thing to traveling in space is owning a souvenir that did. Flags might be the most iconic space-flown collectibles. They combine national identity, culture, community, ideals and history, all in one recognizable medium. And with the price of launching cargo into orbit still hovering around $10,000 per pound, flags have the merit of being flat, light and easy to roll up or fold. While space-flown flags are relatively abundant compared to other space-flown objects, they aren’t unlimited in number, and those from the early years of space exploration can be difficult to acquire.

In April 1961, Russian cosmonaut Yuri Gagarin became the first human being to circle the Earth. It’s not known whether or not his tiny capsule contained personal souvenirs. In contrast, NASA’s Mercury, Gemini, and Apollo missions routinely permitted souvenir items on spacecraft, the lunar landing craft and even the Lunar Excursion Module (LEM) – what most of us would call the moon buggy. To conserve weight, American flags measuring no larger than 4 by 6 inches were allowed on board (larger flags were flown as well, just not as many). Individual astronauts carried these flags in a Personal Preference Kit, or PPK.

A flag flown on STS-1 Columbia, the first space shuttle mission, sold in May 2016 for $3,000 plus the buyer’s premium. Image courtesy of Heritage Auctions and LiveAuctioneers

NASA had its own Official Flight Kit, or OFK, in which flags and similar souvenirs were sent on behalf of the agency itself. Anything in the astronauts’ kits belonged to them; anything in the NASA kits were property of NASA. Collectors care about this distinction. Flags carried by American astronauts in PPKs have higher auction values overall than those that ventured to space in a NASA OFK.

Several hundred American flags went to space on the early NASA missions, and most of those were of the 4-by-6-inch variety, according to collectspace.com. Many more flags were brought into space during the NASA shuttle program. Tthe final shuttle mission, STS-135 Atlantis in 2011, listed 20,000 small US flags in its cargo manifest. Flags continue to make the extraterrestrial roundtrip as part of the inventory of the International Space Station.

Larger flags carried aboard the early NASA missions and on shuttle flights were usually earmarked for specific presentations at schools, nonprofit programs, government agencies and as gifts for international visitors. The website spaceflownartifacts.com states these examples rarely appear at auction.

Collectors consider four major factors when determining the value of

a space-flown flag: 

1 – which space mission took it to the stars and back

2 – whether it made the journey in a PPK or an OPK

3 – where it was stored during the voyage

4 – who owned the flag during the flight and after it returned to Earth.

A flag carried aboard the Apollo 11 mission and later signed by Apollo 11 astronaut Buzz Aldrin sold in November 2004 for $14,000 plus the buyer’s premium. Image courtesy of Swann Auction Galleries and LiveAuctioneers

Flags flown on Mercury and Gemini NASA missions are relatively scarce and highly desired because they rank among the earliest objects to orbit the planet. Flags from space shuttle missions and those taken aboard the International Space Station qualify as space-flown but are much more accessible and affordable, especially for new collectors.

Understandably, flags flown on any of the 12 Apollo lunar missions always have serious auction value. Even then, where the flag was stored during the lunar missions affects how ardently bidders pursue them at auction. Flags that stayed in the spacecraft are prized, but those that were carried onto the lunar surface in the space suits of the astronauts are worth even more.

Not all Apollo missions are equal, either. Flags flown aboard Apollo 11, the first mission whose astronauts walked on the moon; and Apollo 13, the mission that was aborted due to mechanical difficulty, command more than flags from the other four moon missions. And as with any realm of collectibles, historic firsts affect an object’s value. The spaceflownartifacts.com website notes:

“Apollo 8 being the first mission to the moon gives flags carried on that mission a certain cachet.”

Foreign national flags from early NASA flights are relatively rare. This signed Tunisian flag that flew aboard Gemini 4 sold in June 2019 for $1,153 plus the buyer’s premium. Image courtesy of RR Auction and LiveAuctioneers

The entity the flag represents also plays a role. Collectors bid the most for American flags, followed by foreign national flags, state or territory flags, the flag of NASA or other agency flags, and those with the livery of a particular church, school, corporation or other entity that has sentimental value to the astronaut who stashed it in a PPK.

Provenance obviously matters, and is fairly easy to confirm for many space-flown flags. Some astronauts from early missions signed their names directly onto a flag along with mission-specific details, but this practice wasn’t consistent or standardized (other astronauts only added a serial number to the flag, which was accompanied by a signed certificate). Later on, an agreed procedure took shape: Space-flown flags were mounted on presentation certificates created by each individual astronaut. These certificates usually featured a signature, mission details, perhaps a mission patch and a date a format consistent enough to reliably establish provenance. NASA, too, also created specially-designed certificates of its own for its flag presentations.

Collectors should be wary of unmounted flags that are not signed or identified in any way. A story alone is not sufficient to prove a flag left the Earth and came back home again. Mounted flags that are accompanied by a handmade document or photocopy of a signed or unsigned certificate lack the power of better-established examples. 

A set of space-flown American and Russian flags commemorating the joint docking effort of the US space shuttle with the Russian space station Mir in 1995 sold in April 2005 for $600 plus the buyer’s premium. Image courtesy of Aurora and LiveAuctioneers

Human beings will continue to venture into space and deeper into the solar system. Space tourists, who pay top dollar to experience thrills that were once limited to a professional elite, are making their own history. One thing is for sure: current and future space travelers will continue to take flags with them, and there will always be collectors who clamor for them. 

Cartier, Bulgari headline Designer Jewelry & Watches sale

On Wednesday, October 20, starting at 11 am Eastern time, Jasper52 will conduct a 426-lot sale with the title of Designer Jewelry & Watches. Treasures on offer include a Cartier Byzantine 18K gold bracelet with diamonds, rubies, sapphires, and emeralds; a Van Cleef & Arpels Alhambra 18K yellow gold, coral, and diamond ring; a Bulgari Cicladi 18K white gold link chain necklace; a Mikimoto 18K white gold, pearl and diamond bracelet and necklace set; a Temple St. Clair cord bracelet with a serpent charm; and literally hundreds more from houses, firms, and artisans you admire.

Cartier Byzantine 18K gold bracelet with diamonds, rubies, sapphires and emeralds, est. $18,000-$22,000

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Learn more about the auction on Auction Central News.

Jasper52 offers stylish Deco, Retro, & Nouveau Jewelry, Oct. 20

Sure, contemporary jewelry is fun, but vintage jewelry has a sparkle all its own. Pieces fashioned in the Art Deco, Art Nouveau, and Retro styles still speak to us, even though they could have been worn by our grandparents or great-grandparents when they were new. On Wednesday, October 20, starting at 4 pm Eastern time, Jasper52 will host a sale titled Deco, Retro, & Nouveau Jewelry: 1910-1950s, a tightly curated 36-lot offering of choice pieces from the not-so-distant past.

Circa-1940s asymmetrical 14K yellow gold ring with diamonds and rubies, est. $22,000-$26,000

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Reach for the stars with ancient astronomical jewelry

A Greek gold repousse pendant picturing the sun, with circles representing stars, and dating to circa 4th-3rd century BC, realized $2,200 plus the buyer’s premium in 2019. Image courtesy of Artemission and LiveAuctioneers

Humankind has marveled at the beauty of the heavens since well before written history. To the ancients, the sun was not merely a natural phenomenon, but also a god. Its daily journey across the horizon symbolized fertility and rebirth as well as strength and power. Luminous stars, which helped sailors and other travelers orient and navigate, and the silvery moon, which was revered for its recurrent, mystical phases, were objects of awe. These astronomical symbols not only featured in religious rites, but also fired the artistic imagination. 

Many early sun-shape pendants were fashioned as open bronze circles. Others were embellished with dotted rims, open crosses, rounded perforations or sun wheels — concentric circles with radiating arms. Yet shimmering gilded discs, some patterned with tiny sun motifs, may have been regarded as far more powerful.  

A gold lunar-shape Byzantine pendant, dating to circa 900, sold for £2,400 ($3,311) plus the buyer’s premium in 2019. Image courtesy of Pax Romana Auctions and LiveAuctioneers

Bronze Age lunar amulet-pendants were often crude crescents, meant to represent the sliver of the new moon. Others were graduated circlets, each featuring a single, large, pointedly off-center, round perforation, possibly shaped that way to indicate lunar phases. Yet gold and silver lunulae — broad, crescent-shaped, decorative collars unearthed in Ireland — may be the most distinctive Bronze Age jewelry finds of all.  

During the Hellenistic period, wearing gold jewelry was fashionable and indicated one’s wealth, strength, and social status. Some Greeks wore simple, sun-shaped circlets. Those who were more affluent favored pendants, brooches, medallions and armbands graced with sun motifs placed amid rosettes, repousse-point stars, filagree scrollwork, and granulation — delicate ornamental patterns worked in grains of gold. Many crescent-shape pendants, representing the Greek moon god Selene, also feature granulation and repousse-point stars.  

A bronze openwork solar disc plaque with radiating arms, dating to the 2nd millennium, realized £70 ($97) plus the buyer’s premium in 2018. Image courtesy of TimeLine Auctions Ltd. and LiveAuctioneers

Jewels were among the few items that Roman women could call their own. They took full advantage of the opportunity, using jewelry to signal their tastes and rank. Gold, concave or discoid sun-shaped pendants were popular, and some were enhanced with concentric filigree bands, ornamental stars, granulated collars, delicate filigree or gemstone insets. 

During the late Roman Empire, women wore gold or silver gemstone intaglio finger rings depicting a radiantly crowned Sol Invictus (“Unconquered Sun”). Members of the lower classes, however, apparently relied on simpler bronze amulets in shapes they believed would provide personal protection: shields, sunbursts and open sun-whorls. Crescent-shape lunar pendants, which represent the Roman god Luna, range from coarse stamped bronzes to gold-and-garnet beauties with filigree spirals or decorative rosettes. Gold finger rings festooned with petite crescents and stars, as well as star-shape brooches, were also desirable. 

A Roman gold intaglio lunar crescent pendant featuring filigree spirals and cabochon garnets, and dating to the 2nd century, realized $4,200 plus the buyer’s premium in 2018. Image courtesy of Artemission and LiveAuctioneers

Ninth-century Byzantine lunar-shape gold earrings, while small, may feature extensive openwork, floral scrolling and granulation, along with suspended glass beads. In addition to bright enamel detail, Byzantine brooches typically feature intricate gold twisting or openwork that seem to subtly embrace a full moon.   

A Viking silver lunar crescent pendant depicting a mythological face and dating to the 9th or 10th century sold for $800 plus the buyer’s premium in 2021. Image courtesy of Jasper52 and LiveAuctioneers

Centuries later, the Vikings, who worshiped the sun, created       bronze and silver sun-wheel brooches as well as gold sun whorls and sunbursts. Since they worshiped the moon as well, many of these seafarers wore bronze, gold or silver crescent-shape amulets, brooches, pendants and pectorals. Some pieces were simple, while others featured scrolled wirework, geometric filigree or graceful granulation. Designs that Vikings regarded as protective included little raised repousse shields, fearsome mythological faces and winged monsters.         

This gilded Jewish-Islamic necklace featuring silver, coral and crescent-shaped ornaments sold for $650 plus the buyer’s premium in 2020. Image courtesy of Alma and LiveAuctioneers

From the 18th- through the mid-20th century, skilled Yemeni metalsmiths created exquisite gold and silver jewelry for betrothed women. Some of their filigree necklaces that follow the natural form of the neck are lunar-shaped. Others, explain experts at Alma Gallery in Tel Aviv, take the form of large crescent-shape pendants or amulet boxes and reflect shared Jewish and Islamic historic, cultural and artistic motifs. 

Each piece of ancient astronomical-themed jewelry is unique and embodies the culture, beliefs, social status and wealth of the person who first wore it. Most were highly valued, and thus were well preserved through subsequent generations. These ancient masterpieces of the jeweler’s art are not only priceless to those who wear them, but also timeless, as they allow one to see the sun, moon, and stars through ancient eyes.

Jasper52 presents curated NHADA treasures, Oct. 14

On Thursday, October 14 at 6 pm Eastern time, Jasper52 will hold a sale titled New Hampshire Antiques Dealers: Americana, featuring 345 lots in all. As always, the auction is curated by Clifford Wallach, an expert on tramp art, folk art, and Americana.

Apache woven basket, circa 1920s, est. $1,800-$2,200

View the auction here.

Learn more about the auction on Auction Central News.