Dazzling dragonfly brooch could land among top lots in Aug. 3 sale

On Wednesday, August 3, starting at 1 pm Eastern time, Jasper52 will present a sale of Antique and Contemporary Designer Jewelry. Absentee and Internet live bidding will be available through LiveAuctioneers.

Of course, venerated brands appear among the 289 lots. Contributions from Cartier include a circa-1970s 18K gold and diamond link necklace; an Art Deco-style diamond and platinum ring showcasing a Burmese ruby; and a mid-century 18K gold bombe ring set with 3.50 carats of old cut diamonds. Van Cleef & Arpels is represented by a circa-1970s 18K gold, diamond and onyx bracelet; a 20th-century pair of platinum earring studs featuring 6.20 carats of diamonds; and a 1960s-era 18K gold collar necklace with 5.60 carats of brilliant cut diamonds.

Gaston Lafitte 18K gold, onyx and diamond dragonfly brooch, est. $90,000-$108,000

View the auction here.

Learn more about the auction on Auction Central News.

Folk portraits, quilts and pottery enliven Jasper52’s Aug. 4 auction

A Juan Quezada Celado Mata Ortiz jar with a snake motif, a circa-1850s quilt with a tree border, and an 1890 folk portrait of a man identified as “Cy” will likely earn top lot status at Jasper52’s next Americana, Folk Art, and Outsider Art auction, which will be held on Thursday, August 4 at 6 pm Eastern time. As always, the sale is curated by Clifford Wallach, an expert in tramp art, folk art and Americana. Absentee and Internet live bidding will be available through LiveAuctioneers.

Other items in the 454-lot sale include a circa-1930s Frigidaire ice bucket in green frosted glass; an early 19th-century farmhouse corner cupboard, made from cherry wood; a wide range of Native American objects and artifacts, including several sets of children’s moccasins; a cast iron lobster-form boot jack, painted bright red; blue spatterware plates; and a Staffordshire bust of George Washington.

1890 folk art portrait of a man, est. $900-$1,100

View the auction here.

Learn more about the auction on Auction Central News.

Tiaras: Glittering regalia for crowned heads or commoners

A circa-1910 convertible diamond tiara-necklace in a floral design, made for Phyllis Elinor Turner to wear at her presentation at court prior to her 1913 marriage, achieved £45,000 (about $54,100) plus the buyer’s premium in July 2022. Image courtesy of Dreweatts Donnington Priory and LiveAuctioneers

The tiara – a glittering, indulgent headpiece worn by royalty or any woman who wants to feel like a princess – calls to mind images from a fairy tale, but this form of jewelry has an ancient origin. It debuted as a symbol of respect and authority for Roman emperors, who would don a wreath or tiara of laurel leaves made of pounded gold. Champions of the original Olympic games were crowned with a tiara of intertwined olive branches and leaves cut from a sacred tree that grew near the temple of Zeus at Mount Olympus. The word “tiara” actually descends from a Persian description of the high crowns and diadems worn by its royal families.

A tiara festooned with at least 18 carats of diamonds, which was worn by Princess Eugenia at her 1938 wedding to Prince Dominik Radziwill, achieved $55,000 plus the buyer’s premium in December 2020. Image courtesy of Hindman and LiveAuctioneers

As centuries passed, the tiara slowly became exclusive to elite and noble women, and it evolved into four styles: the bandeau, the kokoshnik, the halo, and the fringe.

The bandeau tiara is best described as a headband designed to hold the wearer’s hair or veil in place. When Meghan, the Duchess of Sussex, married Prince Harry in 2018, her wedding veil was crowned with a diamond and platinum bandeau tiara that previously had been worn by Queen Mary, who sited a diamond brooch at its center. The bandeau style can be traced back to a wreath of myrtle leaves and buds worn by brides at ancient Greek weddings. 

A 19th-century silver and gold amethyst kokoshnik tiara realized £1,300 (about $1,500) plus the buyer’s premium in September 2019. Image courtesy of Fellows and LiveAuctioneers

The kokoshnik tiara is rooted in the medieval-era customs of court officials of the Boyars in Russia, the Baltic States and small Eastern European kingdoms. Their social status depended on the height of the hats they wore, and this rule affected wives and princesses, too. These women signaled their rank and prominence with a large headdress-like tiara called a kokoshnik, which was weighted down with gemstones and diamonds. Today, the kokoshnik can take a smaller, simpler form, yet its distinctive shape and style remains essentially unchangely.

A halo tiara, as the name suggests, completely or almost completely encircles the head of the wearer. The most famous halo tiara of the 21st century was worn by Kate Middleton in her wedding to Prince William, in 2011. A Cartier creation featuring 739 brilliant cut diamonds and 149 baguette diamonds, it was first donned by Queen Elizabeth The Queen Mother in 1936. She gave the tiara to her daughter, the future Queen Elizabeth II, for her 18th birthday, but the piece found greater favor with Princess Margaret, who wore it for her elder sister’s coronation in 1953.

The fringe tiara is so named because its diamonds and gemstones are arranged upward in rows, not unlike the fringe of a flag. Queen Mary, a keen collector of jewelry, had a fringe tiara made which Princess Elizabeth – now Queen Elizabeth II – borrowed for her wedding to Prince Philip in 1947. The reigning monarch clearly shows a preference for this diamond fringe tiara, having worn it for numerous official photographs and on state occasions. Its distinctive array of brilliant cut diamonds radiates a sense of sophistication fit for a reigning queen.

A diamond tiara topped with three cabochon emeralds weighing 3.51 carats, 10.76 carats, and 3.28 carats respectively, sold for £16,000 (about $19,200) plus the buyer’s premium in December 2020. Image courtesy of Elmwood’s and LiveAuctioneers

Tiaras are exquisite and expensive expressions of the jeweler’s art, but many are built around a surprising secret, one that allows them to transform with ease and grace. 

A Victorian-era 22K gold amethyst jewelry set featuring a tiara, a necklace and a detachable brooch-pin pendant earned $12,500 plus the buyer’s premium in June 2021. Image courtesy of P.K. Gallery and LiveAuctioneers

In the not-too-distant past, a tiara served as the cornerstone of a set of official jewelry worn for state or social occasions. Once the tiara was in hand, it would be matched with a separate brooch, bracelet, earrings and a necklace. This suite of jewelry, called a parure, first appeared at the court of King Louis XIV and soon became an indispensable part of a woman’s wardrobe. Parures were scrutinized as mercilessly as gowns. To maintain her status, the wearer had to have the right design, the right gemstones and the right jeweler. Keeping au courant was difficult in the fast-paced world of the royal court.

This circa-1810 kokoshnik-type tiara parure, offered in its original fitted box, sold for $2,300 plus the buyer’s premium in January 2018. Image courtesy of Case Antiques Inc., Auctions & Appraisals; and LiveAuctioneers

Jewelers solved this problem and soothed the social anxieties of their clients by making tiaras convertible. The most ingeniously designed tiaras that could be broken apart into a separate necklace, brooch, earrings and bracelet. The fully-assembled tiara was suited to the most formal occasions, while its component parts could be worn at intimate dinners, parties, family gatherings and semi-official outings. Convertible tiaras delivered a parure, all in one.

A circa-1850 18K gold and silver diamond tiara that converts to a choker realized €8,000 (about $8,100) plus the buyer’s premium in April 2021. Image courtesy of Ansorena and LiveAuctioneers

A notable example of a convertible tiara is the Dutch Emerald Parure Tiara of the Royal Family of the Netherlands. Created in 1899, the royal parure consists of emeralds, natural pearls and diamonds. One tiara can transform into other versions that sport different configurations. 

As you might expect, royal traditions dictate who can wear tiaras, and when. Unmarried girls are forbidden to don them on the notion that youth needs nothing artificial, including gemstones, to compete with its fleeting merits. Only on her wedding day is a high-born woman allowed to place a tiara on her head, and that tiara should be provided by her family. Once married, her husband will give her a new tiara of her own, usually as part of a parure. 

A silver, gold and diamond floral tiara, dating to the early 20th century, achieved £15,000 (about $18,000) plus the buyer’s premium in March 2020. Image courtesy of Fellows and LiveAuctioneers

Decidedly nonroyal couples of the Victorian era embraced the tiara and the rules that came with it. Husbands presented their wives with parures centered on tiaras as engagement or wedding presents until the practice fell out of fashion after World War I. These 19th-century parures, many of which took the forms of convertible tiaras, show up with some frequency at auction. 

A tiara set with rubies, diamonds and pearls in a series of seven graduated foliate motifs attained £12,000 (about $14,400) plus the buyer’s premium in October 2020. Image courtesy of Elmwood’s and LiveAuctioneers

Although you might think a tiara is too fancy for your lifestyle, it delivers practical benefits anyone can appreciate. “Tiaras are unfailingly flattering,” said Claire Scott, head of design for the prestigious British jeweler Garrard & Co. “These mini crowns tend to lengthen necks and straighten backs [and] make even the slouchiest stand taller. It gives you a different feeling, a different posture. That’s something people like. It surprises them.”

Moreover, tiaras need not be made with precious metals and gemstones. They are just as delightful in enamel, coral, onyx or other semi-precious stones.

A white metal tiara sporting more than 20 carats’ worth of diamonds in four different styles of cut sold for $15,000 plus the buyer’s premium in June 2017. Image courtesy of Heritage Auctions and LiveAuctioneers.

And, because it might need to be said: Yes, every woman deserves to wear a tiara. You don’t have to inherit a title first. You don’t need to be a debutante or a dowager. And you need not be married. Despite their history, tiaras can grace any head.

If you don’t have a tiara of your own yet, don’t worry. Take the advice of socialite Paris Hilton, who suggests that you “always walk around like you have on an invisible tiara.” 

Rich selection of Asian art and objects slated for auction, July 27

A Japanese Showa period iron teapot, a Tibetan gilt bronze Buddha statue, and a scroll landscape painting by Chinese artist Shi Lu will jockey for top lot status in Jasper52’s Modern Asian Art Collectibles auction, which will be conducted on Wednesday, July 27 at 2 pm Eastern time. Absentee and Internet live bidding will be available through LiveAuctioneers.

Other items of note in the 331-lot sale include ink-on-rice-paper works by Zhang Daqian; Japanese Meiji period bronze vases; an 18K gold and coral pendant brooch; a hardwood incense burner sculpture from the Qing dynasty; a pair of Japanese bronze Buddha sculptures; and a group of nine delicate green jade rings.

Also included is a Qing dynasty painting on silk by Li Gonglin; a landscape painting on a rice paper scroll by Li Keran; a selection of paintings of horses, rendered on rice paper scrolls by Xu Beihong; and a rice paper scroll painting by Qi Baishi.

Tibetan 19th-century gilt bronze Buddhist statue of Green Tara, est. $700-$800

View the auction here.

Learn more about the auction on Auction Central News.

Jasper52 presents stylish all-Hermes auction, July 31

On Sunday, July 31, starting at 8 pm Eastern time, Jasper52 will hold a sale dubbed Rare and Coveted Hermes Collections – 294 lots, all featuring treasures from the venerated French firm. Absentee and Internet live bidding will be available through LiveAuctioneers.

Of course, the lineup contains a generous selection of handbags. These range from a Birkin 35 Porosus crocodile bag in a Bordeaux hue with 18K white gold hardware set with more than 10 carats of diamonds; a Birkin 25 matte vivid blue Zellige alligator bag with gold hardware; a Birkin 35 Porosus crocodile bag in a striking color called Rose Scheherazade, fitted with gold hardware; a Birkin 30 Porosus crocodile bag in jade green, with palladium hardware; and a Birkin 25 lizard bag in black, described as very rare and sporting gold hardware.

Hermes Birkin 30 Porosus crocodile bag in jade green with palladium hardware, est. $150,000-$180,000

View the auction here.

Learn more about the auction on Auction Central News.

A Mikimoto 18K rose gold and diamond ring, centered on a 13.5mm (0.053in) black South Sea pearl, achieved $6,000 in May 2020. Image courtesy of GWS Auctions Inc., and LiveAuctioneers

Pearls: Gems of the Sea

A pair of earrings set with natural pearls measuring 11.58mm (0.045in) and 11.62mm (0.045in) respectively, achieved £30,000 (about $36,000) in August 2021. Image courtesy of Elmwood’s and LiveAuctioneers

A pair of earrings set with natural pearls measuring 11.58mm (0.045in) and 11.62mm (0.045in) respectively, achieved £30,000 (about $36,000) in August 2021. Image courtesy of Elmwood’s and LiveAuctioneers

At a 2018 Sotheby’s auction, an exquisite pearl and diamond pendant worn by Marie Antoinette sold for $32 million. Naturally, the provenance of the piece influenced the final price, but it’s worth noting that pearls were rarer than most other gems in the doomed French queen’s time, including diamonds. Without the history, though, would the pearl jewelry have been worth as much on its own?

“A pearl is probably the most complex gem to assess,” says gemologist Tom Moses of the Gemological Institute of America in the video series So Expensive from Business Insider.

Moses noted that one reason the Marie Antoinette pearl sold as well as it did was because it was a natural pearl, which ranks as the highest of the three pearl classifications: natural, cultured and imitation. All are beautiful, but some are more precious than others.

Natural Pearls

Imagine you are a mollusk – an oyster, mussel or any type of shelled bivalve – and an irritant enters your shell. You don’t have teeth, claws or other built-in weaponry. Your only defense is to cover the invader, layer by layer, with a calcium carbonate (conchiolin and aragonite) substance you produce, called nacre (NAY-ker), or mother-of-pearl. You keep excreting nacre until the unwanted visitor is completely surrounded and no longer a threat. This irritant also serves as a bead nucleus, eventually growing large enough to become a pearl. The word “pearl” is derived from the Latin word perna, meaning leg – the shape of a bivalve known to yield pearls.

This three-strand rope of 339 natural saltwater pearls by Cartier achieved HK$4.8 million (nearly $612,000) plus the buyer’s premium in July 2022. Image courtesy of Poly Auction Hong Kong and LiveAuctioneers

This three-strand rope of 339 natural saltwater pearls by Cartier achieved HK$4.8 million (nearly $612,000) plus the buyer’s premium in July 2022. Image courtesy of Poly Auction Hong Kong and LiveAuctioneers

Until relatively recently, the only way to obtain natural pearls was to recruit a deep-water diver to retrieve them. The work was dangerous and deadly. Some divers attached weights to their feet to speed their plunge to the seabed, where they would gather all the oysters they could grab while holding their breath. They would return to the surface, deposit what they had caught, and repeat the process.

The arrival of the metal diving suit made things slightly easier, but it, too, could prove hazardous if its air hose became disconnected or there was some other mishap that required the diver to be pulled up to the surface. In any event, fishing for natural pearls is life-threatening work with no guarantee of a reward. For every ton of oysters harvested, only a handful of pearls is found.

A natural pearl necklace with three graduated strands earned €145,000 (about $148,000) in November 2020. Image courtesy of Cambi Casa D’Aste and LiveAuctioneers

A natural pearl necklace with three graduated strands earned €145,000 (about $148,000) in November 2020. Image courtesy of Cambi Casa D’Aste and LiveAuctioneers

This explains why natural pearls are so expensive and why only about 1% of pearls in circulation qualify as natural. In fact, most natural pearls are vintage and almost never appear outside of auction settings. Designers of contemporary pearl jewelry rely on cultured pearls instead.

Cultured Pearls

By the late 19th century, overharvesting of oysters for pearls and food, combined with pollution that resulted from the Industrial Revolution, led to the decline of natural pearls.

This set of Mikimoto akoya saltwater pearl and 18K gold earrings sold for $950 plus the buyer’s premium in April 2022. Image courtesy of Bidhaus and LiveAuctioneers.

This set of Mikimoto akoya saltwater pearl and 18K gold earrings sold for $950 plus the buyer’s premium in April 2022. Image courtesy of Bidhaus and LiveAuctioneers.

In 1893, Japanese entrepreneur Kokichi Mikimoto filed a patent on a method of creating cultured pearls. By the 1920s, after much trial-and-error and after negotiating permission to incorporate other patented methods in combination, Mikimoto mastered the production of spherical, naturally occurring cultured pearls – a feat that many had thought was biologically impossible.

A Mikimoto 18K rose gold and diamond ring, centered on a 13.5mm (0.053in) black South Sea pearl, achieved $6,000 in May 2020. Image courtesy of GWS Auctions Inc., and LiveAuctioneers

A Mikimoto 18K rose gold and diamond ring, centered on a 13.5mm (0.053in) black South Sea pearl, achieved $6,000 in May 2020. Image courtesy of GWS Auctions Inc., and LiveAuctioneers

The process involves carefully inserting round pieces of organic oyster material or shell, called saibo, into another pearl-bearing oyster or mollusk mantel as a bead nucleus. Thus prepared, the mollusk or oyster is reintroduced into either freshwater or saltwater until it generates enough nacre for the desired size of pearl, which can take between six months to two years. Mikimoto’s approach is still the basis for cultured pearl production, more than 100 years later.

Imitation Pearls

Costume jewelry pearls are usually manufactured from glass, ceramic, shell or even plastic bases that are painted or covered with mother-of-pearl to simulate the iridescent luster of a pearl. They draw little to no interest at auction.

How to tell the Difference

Just by looking at a gleaming, soft, smooth, iridescent pearl from afar, it can be difficult to know precisely what type of pearl it is. Is it a natural, cultured or an imitation pearl?

It is perfectly acceptable to drag it lightly across the surface of your teeth (not the edges, or else you might scratch the pearl) to see if it feels a bit rough and uneven. If it does, it’s either a natural or a cultured pearl. An imitation pearl will have a smooth surface.

This 10K gold and diamond ring featuring Tahitian baroque pearls sold for $550 plus the buyer’s premium in October 2021. Image courtesy of The Benefit Shop Foundation, Inc. and LiveAuctioneers

This 10K gold and diamond ring featuring Tahitian baroque pearls sold for $550 plus the buyer’s premium in October 2021. Image courtesy of The Benefit Shop Foundation, Inc. and LiveAuctioneers

Gemologists use X-rays to determine a pearl’s origin. Natural pearls will show layers of growth, similar to the interior of an onion, with the bead nucleus at the center. Cultured pearls, in contrast, have only one thin layer of growth at the top. Freshwater pearls show no evidence of a bead nucleus, because it will have been completely dissolved.

Imitation pearls lack the heft of both the natural and cultured pearl and are easily scratched. Also, its manufactured covering can peel under the stress of constant use.

What to Look For

Pearls are classified by size, shape, color, luster and complexion and are measured in millimeters, usually from 5 mm (1/16in) to as much as 21 mm (13/16in).

The size of the mollusk will determine the eventual size of the pearl, but the most desirable shape is round, as round as possible. Only about one out of every 15,000 oysters produces a pearl of ideal roundness, according to gemologists.

Freshwater pearls come in a variety of colors, with the best classified as looking more pinkish than greenish, according to pearl grading charts. Luster is key to grading a pearl – it must reflect light clearly. Finally, the complexion of the pearl should be free of dents, ridges, edges or any marks to earn gem-quality status.

A Tiffany & Co., two-strand South Sea pearl, diamond and platinum necklace earned $22,000 in a September 2014 auction. Image courtesy of Heritage Auctions and LiveAuctioneers.

A Tiffany & Co., two-strand South Sea pearl, diamond and platinum necklace earned $22,000 in a September 2014 auction. Image courtesy of Heritage Auctions and LiveAuctioneers.

Cultured pearls are classified according to where they were grown. Freshwater pearls are cultivated from margaritiferidae mollusks, most of which are from China, while saltwater pearls come from pinctada oysters primarily farmed in Japan, Australia and the South Sea islands. Neither of these mollusks or oysters are the types we eat, so there’s no risk of accidentally biting into a pearl at dinner.

The smaller Akoya saltwater pearls, which come from Japan, have the highest luster of all cultured pearls and boast a desirable creamy white color. Japanese saltwater pearls classified as Hanadama are certified as having a higher gem quality. South Sea and Golden South Sea pearls are regarded as the rarest of the saltwater pearls. They feature a distinctive creamy silver luster and are cultivated in much larger sizes.

A 14mm (0.039in) South Sea golden pearl pendant was bid to $123,000 plus the buyer’s premium in February 2021. Image courtesy of Pacific Global Auction and LiveAuctioneers

A 14mm (0.039in) South Sea golden pearl pendant was bid to $123,000 plus the buyer’s premium in February 2021. Image courtesy of Pacific Global Auction and LiveAuctioneers

Freshwater pearls began to appear in the 1990s. They deliver more vibrant colors, distinctive shapes, and different sizes than their saltwater counterparts. They are much more plentiful as well. The variety known as the Baroque pearl, for example, has an irregular but pleasing shape, while the keshi or mabe (MAH-bay) pearl has a more flattened appearance, with a so-called “blister” in its center that readily accommodates a decorative gem.

A mabe pearl, sporting its characteristic blister, appears in this 14K gold and diamond pendant that realized $225 plus the buyer’s premium in August 2021. Image courtesy of Fontaine’s Auction Gallery and LiveAuctioneers

A mabe pearl, sporting its characteristic blister, appears in this 14K gold and diamond pendant that realized $225 plus the buyer’s premium in August 2021. Image courtesy of Fontaine’s Auction Gallery and LiveAuctioneers

The Tahitian pearl is cultured from the black-tip freshwater oyster producing the scarce black pearl. Dubbed the “Pearls of Queens,” Tahitian pearls usually assume irregular, baroque shapes, with perhaps one out of 10 presenting as round. Their colors range from black to gray, brown, green and even purple.

Two perfectly round black Tahitian pearls feature in these diamond dangle earrings that achieved $512,000 plus the buyer’s premium in July 2020. Image courtesy of 3 Kings Auction and LiveAuctioneers

Two perfectly round black Tahitian pearls feature in these diamond dangle earrings that achieved $512,000 plus the buyer’s premium in July 2020. Image courtesy of 3 Kings Auction and LiveAuctioneers

Whether natural or cultured, pearls have graced kings, queens and nobles for thousands of years. Pearls have gained even more appeal in modern times for being an environmentally friendly gemstone, the product of a renewable source cultivated in protected, unpolluted waters. They require little interference by man-made methods and provide ample luster without so much as a polish.

Whether acquired for investment, gala nights out or everyday sophistication, pearls possess a serene, magical essence that was reportedly described as “tears of joy” by Aphrodite, the Greek goddess of love. No matter how pearls are worn, they will look and feel timeless for generations to come. That is Nature’s way.

Colors to please everyone: Exclusive All-Opals Auction, July 20

Check the results of any auction of loose gemstones and you will find that the opals consistently prompt some of the fiercest fights and biggest winning bids. Jasper52 has wisely cut to the chase and offered an Exclusive All-Opals Auction on Wednesday, July 20, starting at 4 pm Eastern time. Absentee and Internet live bidding will be available through LiveAuctioneers.

Three favorites for top-lot status include an 8.33-carat Ethiopian black fire opal with a oval cut; a black fire opal weighing 6.21 carats and sporting a pear cabochon cut; and an oval-cut multi-color opal of 7.07 carats. That said, the auction lineup contains 295 lots, all of which are likely to find new homes.

Oval-cut 8.33-carat Ethiopian black fire opal, est. $200-$250

View the auction here.

Jasper52 showcases the glories of Vintage Gravures, July 19

On Tuesday, July 19, starting at 4 pm Eastern time, Jasper52 will present an auction of Vintage Gravures, featuring a total of 113 lots. Absentee and Internet live bidding will be available through LiveAuctioneers.

The sale lineup boasts a wide range of illustrious names in photography that includes Alfred Eisenstadt, Man Ray, Lisette Model, Andre Kertesz, Lucien Clergue, Lewis W. Hine, Robert Mapplethorpe, Josef Sudek, Izis Bidermanas, Kishin Shinoyama, George Platt-Lynes, Pierre Boucher, Margaret Bourke-White, Adolf Fassbender, Yuji Hayata, Lionel Fourneaux, John Everard, Henri Cartier-Bresson, Jose Ortiz Echague, Masaya Nakamura, Edward Steichen, Edmund Katz, Lewis Jacobs, Julien Bryan, Richard Avedon, Philippe Halsman, Brassai, Dennis Hopper, Vaclav Jiru, Jean Gaberell and Ansel Adams.

Alfred Eisenstadt, ‘Ernie Pyle, Pulitzer Prize Awarded Reporter,’ est. $150-$250

View the auction here.

Learn more about the auction on Auction Central News.

Roman silver coins place ancient history in your pocket

A circa-294 B.C. first mintage silver argenteus realized $1,900 plus the buyer’s premium in November 2021. Image courtesy of Treasures Trader and LiveAuctioneers

The Roman Empire is the longest-lasting in history, spanning the ancient world of 753 B.C. to the Middle Ages of 1453. It influenced the course of Europe, Asia, the Middle East and North Africa for more than 2,200 years. Kings, consuls and emperors reigned and ruled as dictators, despots and enlightened heroes, leaving a legacy of language, art, architecture, religion, science, technology and laws that still shape daily life around the world.

All its stories are easily told through its silver coinage which, once touched, leaves a lasting memory of all of Rome’s achievements, failures and influences.

The Seven Kings of Rome, 753 B.C. to 509 B.C.

During the early period of Rome, from its founding in 753 B.C. to about 281 B.C., currency initially took the form of sheep for barter. Heavy bronze weights were later issued in different sizes, first as unformed lumps and later as ingots classified as aes rude that weighed nearly 12 ounces. There was no coinage of any kind during this period.

The Roman Republic, 509 B.C. to 27 B.C.

As the kings of early Rome were replaced by the Senate and elected consuls in 509 B.C., coinage was still unknown. Because of the perpetual warfare waged to increase the reach of Rome, it became clear that a more suitable trading system than bartered sheep or lumps of bronze was needed to pay Roman troops and drive economic development. By 326 B.C., the first bronze coin was introduced, followed by a silver coin nearly 50 years later.

This Roman Republic silver didrachm, showing the two-faced head of Janus on the obverse and Jupiter riding a quadriga (a four-horses vehicle) on the reverse, achieved $1,100 plus the buyer’s premium in June 2021. 
Image courtesy of Artemis Gallery and LiveAuctioneers.

Around 269 B.C. the didrachm became the first silver coin issued by Rome, strictly as a tool to pay its troops and allies in its fight to expand the Republic by gaining the port in Greek-held Taranto in southwest Italy (aka the heel of the boot-shape country), known by the Romans as Magna Graecia. The coin’s design closely followed that of the Greek drachma, but it had uniquely Roman features. It only circulated within the colony itself. 

The didrachm was phased out around 211 B.C., but not before it was issued as a lighter silver coin known as the quadrigatus (for its image of a four-horse drawn chariot) as the first uniquely Roman silver coin. It was issued around 226 B.C. Both coins were removed from circulation during the monetary reforms of 211 B.C. 

A clear example of an early Roman Republic silver sestertius sold for £60 (about $72) plus the buyer’s premium in April 2022. Image courtesy of Elstob & Elstob and LiveAuctioneers

The silver sestertius (meaning “two and a half,” for its value against the Roman bronze as) was issued only sporadically as a small silver coin replacing the didrachm and quadrigatus. Initial sestertii featured the figure of Roma wearing a helmet on the obverse and Dioscuri on horseback on the reverse. The sestertius eventually became a much larger bronze coin as part of a coinage reform under Consul Augustus in 23 B.C. It was phased out completely by 275 A.D.

Also included in the previously mentioned monetary reform of 211 B.C. was the introduction of a silver denarius (equal to 10 asses, the standard circulating bronze coin) containing 4.5 grams of silver. It would become the standard silver coin circulating throughout the Roman Republic and in the beginning of the Roman Empire. Its impact is reflected in the many national currencies that imitate or reference its name: the Iraqi dinar, the (now-defunct) Spanish dinero, the North Macedonian denar and the ‘d’ for denarius, which was used to identify the UK penny before 1970. The silver content of the denarius would be debased gradually from 90% at its introduction down to only 5% by 300 A.D.

A Roman Empire silver didrachm featuring the profile of the Emperor Vespasian (69-79 A.D.) realized $225 plus the buyer’s premium in February 2021. Image courtesy of Worthington Galleries and LiveAuctioneers

At the same time the denarius was introduced, a smaller silver coin called the victoriatus was also minted. It boasted 3.4 grams of silver and its value was half of a quadrigatus or three-quarters of a denarius until it was phased out in 170 B.C. The coin featured the Roman God Jupiter on the obverse and, on the reverse, Victory awarding a wreath to a trophy above the word ROMA. It circulated mostly in the Roman province of Gaul (present day France) and southern Italy to replace the Greek drachma there.

By 101 B.C., the victoriatus was replaced by the quinarius, which was valued at five asses, or half of a denarius, and circulated mainly in Gaul for only a few years (although the victoriatus continued to circulate until about 170 B.C.).

This Roman silver argenteus marked with the image of Emperor Galerius (circa 305-311 A.D.) attained $300 plus the buyer’s premium in March 2018. Image courtesy of Jasper52 and LiveAuctioneers.

Though silver coins circulated during the early Republic, they were issued sparingly as the silver supply was limited. By 157 B.C., Rome had acquired the silver mines of Macedonia, after which silver coins became much more prevalent and circulated regularly, but possessed varying degrees of silver content. During the reign of the dictator Sulla in 84 B.C., the minting of silver coins increased again, making examples from this period more accessible.

One of the most sought-after silver coins of the Republic period is a denarius featuring a profile of Brutus on the obverse (the only known image) with a pileus, a cap of Liberty, on the reverse between two daggers. This silver coin commemorates Brutus’ participation in the brutal assassination of Julius Caesar on the Ides of March (aka March 15) in 44 B.C. It is considered the most important ancient coin by collectors and is scarce because Marc Antony ordered the coin removed from circulation and melted down. 

Western Roman Empire 27 B.C. to 395 A.D.

The Roman Empire period began with the Senate declaring Octavian as Caesar Augustus in early 27 B.C., ushering in Western Roman Emperors for the next 425 years and Eastern Roman Emperors for the next millennia.

A Roman Empire silver siliqua emblazoned with the profile of Emperor Gratian (367-383 A.D.) achieved $1,025 plus the buyer’s premium in March 2022. Image courtesy of Golden Gate Auctioneer and LiveAuctioneers

Throughout most of the early Roman Empire period, the silver denarius would remain the preeminent silver coin until about 214 A.D., a span of nearly 425 years. The antoninianus, a double denarius, was then issued by, and named for, Emperor Antonius Caracalla, whose profile shows him wearing a crown rather than the laurel wreath of the Roman Republic. The silver coin began with 40% silver content but was debased until it was only a thin covering before it ceased to be issued in 324 A.D.

After the year 250, fewer silver coins with significant silver content were issued until the introduction of the argenteus by Emperor Diocletian around 294 B.C., which had at least 3.4 grams of silver. The inflation of the period was extreme, and these silver coins were hoarded for their silver content and rarely circulated. A half-argenteus was minted by Emperor Constantine the Great in 308 A.D., but not in high numbers. They are usually found in mostly uncirculated condition at auction.

This example of a Western Roman Empire silver siliqua, featuring the profile of Magnus Maximus on the obverse and Roma seated on a throne on the reverse, sold for $250 plus the buyer’s premium in June 2020. 
Image courtesy of Artemis Gallery and LiveAuctioneers

In 324 A.D., Emperor Constantine replaced the argenteus with the miliarense, which weighed between 3.9 and 5.7 grams of silver; and the siliqua, which weighed between 2.3 and 3.4 grams of silver (a half-siliqua was issued just before the collapse of the Western Empire and represents a rare find). Together, the miliarense and the siliqua were the last official Roman silver coins in circulation until the end of the Western Roman Empire in 476 A.D.

Eastern Roman-Byzantine Empire 395 A.D. to 1453 A.D.

When Emperor Constantine split the Roman Empire into a Western and Eastern Empire around 330 A.D., it was his intention to stabilize its far-flung territories against the constantly-invading Hunnic armies from the steppes of Central Europe. He named the capital of the Eastern Empire Constantinople, for himself, but his actions only delayed the fall of the Western Empire to 476 A.D.

Issued in Constantinople circa 976, this miliaresion silver coin sports the cross crosslet of the Eastern Roman Empire and busts of Basil II. It earned £130 (about $156) plus the buyer’s premium in March 2020. Image courtesy of Timeline Auctions, Ltd. and LiveAuctioneers

The Eastern Empire survived for nearly a millennium after the Western Empire collapsed, producing only two silver coins of note: the hexagram, issued in 615 A.D. and lasting until the end of the century; and the miliarense, the successor to the hexagram, which was in use until the 11th century. Most transactions were handled with gold or bronze coins throughout the Byzantine period until the Ottoman Empire supplanted the Roman period in 1453 A.D.

With nearly 2,200 years of Roman history to explore, the images of Emperors, conquests, historical events and day-to-day life depicted on its silver coins provide a unique understanding of the trials and tribulations of running a large, disparate empire. The silver content of the many coins, both large and small, was constantly in flux from the near purity of the didrachm to the thin veneer of the later argentius. In and of itself, that fact provides a lesson in the economics of running a vast empire.

Jasper52 offers antique maps, books and more, July 13

On Wednesday, July 13, starting at 7 pm Eastern time, Jasper52 will hold a sale titled 15th-19th Century Antique Books Collection, which delivers exactly that – books published between the 15th and 19th centuries, with a few maps and posters mixed in. Absentee and Internet live bidding will be available through LiveAuctioneers.

The sale presents 662 lots in all, leaving bidders spoiled for choice. Unsurprisingly, there is a large selection of Bibles, published sermons and other holy books on offer, as well as assorted histories of great people and great events. Other treasures on offer include a 1606 treatise in Italian on the history and use of artillery; a 1788 account of the surviving crew of the shipwrecked Antilope and how they returned home with a prince from the Palau Islands in tow; a visually compelling 1652 map of Italy; and a 1551 copy of Lodovico Domenichi’s In Praise of Women.

1652 map of Italy signed by Nicolai Ioannis Visscher, est. $1,500-$2,000

View the auction here.