Jasper52 showcasing premium quality vintage jewelry June 5

Vintage and antique pieces mingle beautifully in a Premium Jewelry Auction that will be conducted Tuesday, June 5, by Jasper52. Colorful cocktail rings, storied mourning jewelry and even an iconic Hammerman Brothers vintage starfish brooch are prime examples of the diversity celebrated in this special sale.

14K gold and diamond bracelet, 1950s, 6.5 total carat weight, near-mint condition. Estimate: $1,500-$2,000. Jasper52 image

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How To Collect Comic Art Like a Pro

The reign of comics-infused and comics-generated forms of entertainment not only continues, it’s also growing. A visit to your local movie theater will confirm this fact. So far this year, the three top moneymakers at the boxoffice are: “Black Panther,” “Avengers: Infinity War,” and “Deadpool 2.” All are based on comic-book heroes.

Similar events are happening in the auction universe as well, as original comic art continues to create excitement with bidders around the world. One of the peripheral benefits is that fans are becoming more familiar with the artists and writers who’ve developed comic-book culture for more than seven decades. Of course, for those who’ve been enamored with comic books and comic art for a long time, there’s a bit of, “What took you so long,” and also, “We told you so.”

Thin artboard with pen-and-ink art by Jack “King” Kirby for the February 1970 issue of the Fantastic Four #95, which was published by Marvel Comics. Kirby and Joe Sinnott created the art for the issue and Stan Lee handled the writing. It measures 11⅜ in. x 17½ in. and it sold for $95,156 at auction in March 2013, after four decades of being off the market. Actual finished cover shown at right. Hake’s Americana & Collectibles image

To help gain a better understanding aspects of collecting original comic art we turned to Comic Art Specialist Sean Rutan with Hake’s Americana & Collectibles. In the discussion that follows, you’ll learn at least five things you should know about collecting comic art.

Tip 1: Become familiar with the work of various comic artists. Many of them produced vast volumes of work appearing in the evolution of comic books.

Who are a couple of artists from the Golden, Silver, and  Bronze eras that are most sought after by collectors today?

The big names in the early days of the collecting hobby were the comic-strip masters and/or the creators who bridged the gap from strips to comic format. (George) Herriman, (Hal) Foster, (Alex) Raymond, (Winsor) McKay, (Milton) Caniff, and (Walt) Kelly, among others, were the big names in early strip art. From there, the bridge moved into comics with the contributions of (Will) Eisner, (Mac) Raboy, (Jack) Cole, (Alex) Schomburg, (Dick) Sprang, and a slew of others. All of these names are giants in the medium, and their art (when you can find it) is valued accordingly. The unfortunate reality is that most of the Golden Age art seems to have been lost to history, with a large percentage of it destroyed by the publishing houses who valued the copy value but not the originals themselves.

In between the transition from the superhero-dominated Golden Age and the similarly-themed Silver Age, many of the great horror-comic artists (especially “Pre-Code”) made an impact that is still coveted by collectors to this day. So, too, did the crew over at Mad Magazine. The team at Mad included artists (Jack) Davis, (Reed) Crandall, and (Graham) Ingels, among others.

Mixed-media original Mad Magazine cover art for issue #121 (Sept. 1968) by Norman Mingo, featuring Mad’s Alfred E. Neuman as a spiritual guru perched above The Beatles, actress Mia Farrow and Maharishi Mahesh Yogi. Measures 25¾ in x 31¾ in. and sold at auction for $52,242 in March of 2017. Actual finished cover shown at right. Hake’s Americana & Collectibles image

Several artists who earned their stripes in the Golden Age continued their greatness into the Silver Age. Jack Kirby was the creative dynamo behind much of Marvel’s “House of Ideas” era, and his art from the ‘60s is definitely in the emerging “fine-art” level seen in today’s market. Carmine Infantino’s cover layout skills defined the look of DCs books for a decade as well, while Curt Swan was the artist who defined the face of Superman for a generation. Original artworks by both Steve Ditko and Wallace Wood are coveted for both their unique style and relative scarcity, especially in the superhero genre. The latter part of the era saw the emergence of John Romita Sr, John Buscema, Gene Colan, Neal Adams, and Jim Steranko. Their Silver Age art commands top dollar whenever it hits the market.

The Bronze Age market is arguably the current “hot era” in original art collecting, largely due to the fans of this era being at the perfect point in life where they’re still actively building their collections (versus the liquidation you see from older collectors) while also being right in their prime earning years. Big names from this era include Frank Miller, Bernie Wrightson, John Byrne, Jim Starlin, and many others who were in the forefront as the Bronze Age turned to the Copper Age and then into the Modern Era.

One of two examples of original comic cover art for Blazing Combat created by Frank Franzetta and featured in Hake’s Americana & Collectibles upcoming Auction #224. Hake’s Americana & Collectibles image

The reality is that there are so many great comic artists and creators from these past eras that it would require an entire book to give them the due they deserve. In my response alone I’ve missed two of the highest-priced recorded sales in the entire hobby with Frank Frazetta and Todd McFarlane, whose cover art has sold in the seven-digit and six-digit range respectively. There are too many greats to list and too many pieces of art that have sold for substantial dollar amounts.

Tip 2: Know why you collect and always be observant and willing to learn.

What are five essential tips you would give anyone buying original comic art?

1. Find a mentor who is already a successful collector and knows the game.

2. Know your “why.” Take some time to understand WHY you collect so you can identify the art that fits your real goals.

3. Observe and learn before leaping into the hobby, but also learn to recognize when to strike if a great deal presents itself.

4. Join the support structure that already exists, with things like ComicArtFans.com and the various Facebook groups and Internet forums.

5. Buy what you love.

Tip #3: Keep an eye on work by emerging artists as well. 

What are a couple of contemporary comic artists whose work appear to be poised for popularity in the collectible market?

This is the area of speculation that drives the modern wing of the hobby. I’m not personally great at this end of the spectrum, as I’m more of a “nostalgic” collector and similarly a bigger fan of history in general. That said, I really like the work of Chris Samnee, Jenny Frison, Rafael Albuquerque, Andrew Robinson, and many others.  I really enjoy Lee Bermejo’s work, too, though he already poised himself into popularity a few years ago

Framed pen-and-ink with inkwash recreation of the 1940 concept sketch of The Joker’s calling card by co-creator Jerry Robinson. It was initially designed with the classic playing-card image with Conrad Veidt’s depiction of the titular character in the 1928 silent film “The Man Who Laughs.” Drawing dates to 2006 and is inscribed “For Dan-” and contains Robinson’s signature. Measuring 15¾ x 18 x 2¼ in., it sold for $6,490 at auction in November of 2017. Hake’s Americana & Collectibles image.

Tip #4: Keep in mind that various factors drive value.

When looking at the difference in the value of cover and interior-page art, what factors impact that difference?

This is a very nuanced question with a bunch of layers, so it’ll be tough to give a great answer in a short format like this. Historically speaking, covers have generated the highest prices on the market. Value-wise, the covers are then followed by splash pages (often the title page but can also be full-page, single-panel drawings), and then the interior sequential art.

There are caveats to this, such as an instance where the title splash is weak or dull, or a story as a whole is so highly regarded and coveted that the supply-and-demand factor throws some of these “rules” out the window, etc. You can also expect to pay much more for an interior page by a legendary creator than you would for a lesser-known cover. And keep in mind that certain inkers or penciler/inker teams will always command a premium.

In other words, the factors involved are the type of art (cover, splash, interior, prelim, etc.), the importance of the story from a historical standpoint, the artist(s) involved, the availability of comparable art, and the quality or visual appeal of the art itself.

Framed and double-matted pencil, pen, ink and inkwash original art by Wayne Boring, features Silver Age image of Superman along with Boring’s ‘hands’ flanking the superhero. It includes handwritten instruction text “Friend Dan – Here is Your ‘Drawing Lesson….First Get a Piece of Paper!” Measures 7-¾ in. x 10-½ in. and sold for $6,089 at auction in March of 2018. Hake’s Americana & Collectibles image

    

Tip #5: The comic book auction market is creating a new level of interest and excitement. Which leads to opportunity.

How would you describe the auction market for comic books today?

In a word: aggressive. At literally every show or convention, I find myself having an “I can’t believe the prices. It can’t keep climbing. There has to be a top end!” conversation, and yet, the end hasn’t shown itself. I did get the feeling that the top end of the comic book market was possibly plateauing for a bit (Detective Comics #27 and Action Comics #1 sold for high-dollar amounts but were still below quite a few early estimates that I’d seen in collector groups, for example) but when we’re talking about funny books being sold for more than half-a-million dollars it starts to feel like splitting hairs. Many collectors have speculated that once a piece of comic art surpasses the million-dollar mark, we would see a whole new level of interest and an influx of new, serious buyers flood the market. I guess now we shall see!   

The aggressiveness of the current market is also one of the main reasons behind Hake’s approach to auctioning original comic art. We put a cap on the amount of art that we’ll list for each event so our consignors’ pieces stand out and don’t get buried in an avalanche of competing sellers. It is a somewhat slow and methodical approach, but our sellers appreciate it, as each and every piece gets maximum effort and marketing exposure. Beyond that, many of our bidders are aggressive collectors in OTHER genres and don’t normally follow comic art auctions, but they WILL bid on an interesting piece of comic art in our auctions if it somehow draws their interest. This cross-bidding is becoming more and more prevalent as comic art expands into higher levels of recognition. I’ve attached a few links to some pieces that I believe directly benefited from our unique approach.

Vintage tribal art from faraway lands offered in May 30 auction

Tribal art from around the globe is presented in a Jasper52 online auction on Wednesday, May 30. Carved masks and figures imbued with stylized detail and potent symbolism – more than 100 items – are offered in the online auction catalog.

Shango staff, Yoruba, Nigeria, pre-1930, 22.8 in. high. Estimate: $7,000-$7,500. Jasper52 image

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Jasper52 presents Jackson Pollock Christmas card May 29

Jackson Pollock and Lee Krasner’s 1944 Christmas card is a unique highlight of a Jasper52 fine paintings and prints auction to be conducted Tuesday, May 29. The Christmas card – signed by the famed American artists and printed in black in on light blue paper – is expected to sell for $10,000.

Jackson Pollock and Lee Krasner’s 1944 Christmas card, printed in black ink on light blue paper, matted and framed. Estimate: $10,000-$12,000. Jasper 52 image

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Recapture Childhood Triumphs in Colorful Board Games

Caressing the dice in his right hand, the player surveyed the board at a recent game night gathering. After a couple seconds he hoped for the best and released white cubes, which tumbled onto the multicolored game surface and soon froze in place, a trio of dots topped one, a quintet on another.

Seconds later the player nodded, smiled and moved his top hat game piece to the corner square sporting the red arrow with the welcoming words: “Collect $200 salary as you pass GO.”

And for the likely the multi-billionth time since its mass-market introduction in 1935, someone enjoyed another moment in the classic board game Monopoly.

When it comes to board games of note, new or older versions of Monopoly, made for the U.S. and abroad, help keep the game in the upper tier of a pastime that enjoys decent interest, but once, for some, represented a much bigger slice of their social pie chart.

Parker Brothers ‘Monopoly,’ early version, 1936. Continental Hobby House and LiveAuctioneers image

The popularity of vintage board games, defined as those made before 1990 for this article, sometimes relates to their 21st-century counterparts, many of which have a solid following, too.

“The success of a modern title can certainly garner more interest in earlier games of the same genre,” said Anton Bogdanov, a senior collectibles specialist with Everything But the House (EBTH), an estate sales auction company. “Nearly every week we have board games for sale,” Bogdanov said. “And I see a growing interest in games from the 1960s to the 1980s.”

Pure nostalgia motivates some vintage game collectors. “Others may be driven by game design and historical context,” Bogdanov noted. “The market relies on a community of collectors. A growing presence of gaming forums and clubs on the Internet can surely be credited.” BoardGameGeek.com, for instance, reportedly has over 1 million users, although much of them focus on newer titles.

“There are quite a few people that collect vintage board games,” Eric Mortensen said. Mortensen, the co-creator of geekyhobbies.com, owns “a little over a thousand (games) myself,” a few hundred of the older variety. “Most people buying vintage board games are people trying to relive (childhood) memories.”

Board games go way back, as in thousands of years, when you include the likes of backgammon, checkers and chess, to name a trio with lasting power.

“We’ve had custom chess sets do really well,” EBTH’s Bogdanov said. “And a 19th-century board with Parcheesi on one side and checkers on the other sold for $1,400” in 2015.

Vintage double-sided folk art game board, late 19th century, showing the Parcheesi game, with a checkerboard on the reverse. It sold for $1,400 in August 2015. Photo courtesy Everything But the House

American-made board games gained initial traction in the 1840s with Mansion of Happiness, the first main title. Milton Bradley began making games in the 1860s, many geared toward Civil War soldiers, with Checkered Game of Life as his maiden venture. The 1880s brought the Parker Brothers to the table and with Milton Bradley ultimately represented the two companies “with the greatest impact on the American game industry,” according to Bruce Whitehill.

Whitehill has also enjoyed a lasting impact on the board game landscape. He owns an extensive collection of games – about 1,500 from before 1980; has written and spoken on the topic for decades; he even worked for Milton Bradley in the 1980s as a game inventor. Like a full box of Trivial Pursuit question and answer cards, Whitehill’s website, thebiggamehunter.com, represents a fun thicket of information.

Think box, inside and out

The overall look and design of a game, demand and rarity can all play key roles in a vintage board game’s value. Of course, so does condition. When considering the price for buying or selling a game, condition can often mean the difference between Easy Money and Sorry!  “Warping, tears, scrapes, scratches and holes in the box” topped Whitehill’s condition checklist of items to avoid, or at least minimize. Next, the game guru emphasized seeing how the game’s contents are holding up.

Mortensen agreed that box condition can be significant, but it is not his priority. “The most important thing for me is that the game has all the original pieces. If a game is missing pieces, it will drastically reduce its value.”

‘The Elvis Presley Game’ from 1957 is at the top of many post-1950 want lists and commands $2,000 to $3,000 in strong condition. Courtesy of Desi Scarpone

Bogdanov said average collectors need to keep any tape and/or price stickers on a box, since that removing them, especially poorly, “will permanently alter the graphics” and devalue the game. “I would encourage anyone with a rare board game to consult a trained paper conservationist before attempting to remove any of that (tape/stickers … ) themselves.” Then again, some collectors like the look of the original price sticker on the box.

The first edition mass-marketed copy of Monopoly (1935) was affordably priced. The 1937 Sears Christmas catalog shows “the game of the century” selling for $1.69 and the deluxe version for $2.89, therefore the original 1935 Monopoly game was comparably priced.

Bogdanov said surviving 1935 examples in decent shape sell for $200 to $300.

“But if it’s in really nice condition and all the pieces are there, maybe two or three times that.” Sometimes more. Those numbers might even make Milburn Pennybags proud. Milburn who? The mustachioed Monopoly mascot.

This rare game featuring The Man of Steel dates back to 1940. ‘The Adventures of Superman Game’ was produced by Milton Bradley.

Whitehill said a game’s theme can also play a big part in its demand strength.

Television, music, movies, modes of transportation, those “motifs” are just some of the most popular.

A few communications-related games that are a big hit with collectors include: Superman Speed (1940), Captain Video (1952), The Beatles’ “Flip Your Wig” (1964), James Bond, Secret Agent 007 (1964), The Twilight Zone (1964), The Green Hornet Quick Switch (1966), and Lost in Space 3D (1966).

Keep your eye on the ball

Bogdanov said older tin lithograph games have strong potential moving forward, too. “And, anything sports related from the mid-20th century is also good to keep an eye on.”

Two games that fit that last description are baseball based. The first is the 1957 Swift Meats Major League Baseball Game. In this case the players came in “pieces,” (arms, legs, the torso, the head) that could be “punched out” of their original packaging and then put together to form a full athlete.

One site said the 18 cards alone from the 1957 game sold at $400, while the board brought $900.

Another homerun: Be a Manager, (1967, BAMCO), with a box featuring Hank Bauer, then-manager of the 1966 World Series Champion Baltimore Orioles. It is a scarce game; mid-level versions easily sell around $500, while top-end samples can go for about triple that.

For 1980s games, the newest in our vintage arena, both Mortensen and Bogdanov recommended Fireball Island (1986). “Basically, you are looking for games that developed a cult following and have only been printed once or twice and haven’t been in stock for years,” Mortensen said. Both Fireball Island and Dark Tower (1981) match that profile. “They regularly sell for hundreds of dollars each.”

Feel lucky?

Collecting vintage board games started to take a more broad-based hold in the mid-1980s, so finding “a deal” might have been easier in one sense, but locating particular titles presented more of a logistical chore. Even so, many collectors enjoy the hunt.

With the accessibility of the Internet since the 1990s, however, finding these games of yesteryear is often just a few computer clicks away. Whitehill said eBay and Amazon are two of the best places to track down vintage board games. “But the real finds are at the flea markets.” Some things rarely change.

‘The Beatles Flip Your Wig Game,’ originally manufactured by Milton Bradley in 1964. Photo courtesy Everything But the House

True, vintage board games currently enjoy a certain level of popularity, but like any collectible, some wonder if the interest will greatly run out in the coming years. Whitehill is optimistic that the spinner, so to speak, will once again point to a winner on a more regular basis, even though some prices have sagged as of late. “These things go in cycles.”

Bogdanov, meantime, thinks the upward trend will be brighter than certain glow-in-the-dark pieces from Green Ghost, a 1960s board game made-to-be-played with the lights out. “I think we will see slow and steady growth over the next decade or so.”

One thing is for sure: Whether one collects a thousand or more board games of yore, like Mortensen, Scarpone and Whitehill, and creates their own Mansion of Happiness, or puts together a mere handful of these parlor pastimes, more of a Duplex of delight, if you will, these vintage games guarantee enjoyment on several levels for many people, and you can bank on that much more than just a wishful roll of the dice.

East Indian, Japanese art featured in online auctions May 22-23

While China gets the lion’s share of attention in Asian art, India and Japan are the focus of two Jasper52 online auctions taking place May 22 and May 23, respectively. The Indian art auction will consist of marble figures of Hindu deities, while the Japanese art auction features sword fittings and painted scrolls.

Higo School tsuba decorated in a plum tree and a hatchet motif, Edo period, iron, 72.9 x 69.9 x 6.2 mm. Estimate: $350-$400. Jasper52 image

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Dozens of luxury watches comprise Jasper52 auction May 23

Jasper52 will present a highly curated online auction consisting of antique, vintage and modern watches on Wednesday, May 23. This premium sale features the most sought-after names in watchmaking such as Patek Philippe, Rolex, Panerai and Vacheron Constantin – all in excellent condition. At the top of the list is a coveted 18K gold Rolex Submariner wristwatch that features a perpetual self-winding movement with instantaneous date and a Rolex Presidential bracelet.

Cartier Santos 100 XL wristwatch, stainless steel with 18K yellow gold fixed bezel, self-winding automatic movement, 38mm. Estimate: $8,000-$10,000. Jasper52 image

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Charming: Bracelets with Timeless Appeal

As much as a society and its tastes may change, some things remain the same and seem never to lose their appeal. Such is the case with charm bracelets.

These beautiful wrist adornments with talismans that represent facets of the wearers’ character are not a new phenomenon. The earliest examples date back to the Neolithic period, with Egyptian pharaohs being among the first to don wrist jewelry with precious stones and metals fashioned as unique shapes and figures.

In Ancient Egypt, charm bracelets were not merely a stylish choice; they were part of the people’s efforts to protect themselves, indicate their social status, and as an extra measure, to help position them in the proper societal status in the afterlife. That’s a lot to ask of a piece of jewelry, but the Egyptians were not the only ones who thought charm bracelets were up to the task.

14K yellow gold bracelet, stamped ‘Made in France,’ features seven charms including a cat, dog with ruby eyes, horse head with ruby eye, letter ‘E’ with single cut diamonds and rubies, pail with gemstones and hen bell with diamonds and ruby cabochons, 7-1/4 in., 96.2g. Sold for $24,000 during a May 2018 auction. Brunk Auctions and LiveAuctioneers image.

During the period of the Roman Empire, early Christians wore a hidden charm depicting a fish that would be revealed to fellow Christians as a sign of acknowledgment of the faith. Even during the Middle Ages, a time of great upheaval and societal change, knights and royalty would regularly wear charms and amulets for additional protection. They weren’t only seen as superstitious tokens to ward off evil; the charms and amulets also served an important purpose of identifying one’s family origin, profession and even political affiliation.

Not surprisingly, during the reign of Queen Victoria of England, charm bracelets transitioned from practical, utilitarian objects to a fashionable accessory. Just before the start of the 20th century, luxury goods icon Tiffany and Co., unveiled its first charm bracelet. The link bracelet featured a single heart suspended from the chain. Despite the challenges of the Great Depression, jewelers began adding platinum and diamond elements to charm bracelets in the 1920s and 1930s.

Military gold charm bracelet with five different medals, 5½ in. long, 16.1 dwt. Sold for $600 during an April 2018 auction. David Killen Gallery and LiveAuctioneers image

The trend of charm bracelets continued as the world recovered from World War II. For the first time, a large segment of the U.S. population was introduced to trinkets, products and garments made by artisans in foreign lands, courtesy of returning soldiers. Charms were one example, and they became a tangible record of the wearers’ travels or dream destinations. It also sparked an increase in the number of jewelers opting to get into the business of charm creation.

Charm bracelets, like other articles of fashion, were also indicators of the changing interests and societal advancements. They were featured as prizes in coin-operated machines in the mid-20th century, owing to their popularity with the younger set.

Early 20th century platinum and 14K gold charm cuff bangle bracelet, surmounted with 30 gold and platinum whimsical charms set with old European, single and baguette cut diamonds, rubies, star sapphire and emeralds among others. 97.8g, 6½ in. diameter. Sold for $8,500 during an April 2015 auction. Dallas Auction Gallery and LiveAuctioneers image

Throughout the latter half of the 20th century, charm bracelets appeared and reappeared a bit like the ocean tide. As they say, everything old is new again, and maybe yet again. Current interest in charm bracelets appears to span all age ranges, cultures, interests and economic levels. The charm bracelet is also considered a crossover collectible. You don’t have to be a collector of jewelry to appreciate a bracelet featuring charms representing elements of astronomy, pop-culture characters, sports, music, flowers or animals.

The subjects depicted in the charms have never been as diverse as they are now. With national jewelers such as Pandora, Zales and Kay Jewelers; noted designers including Alex & Ani, Juicy Couture, Betsey Johnson and Michael Kors; and legends of luxury like Cartier and Tiffany and Co., producing them, there seem to be charms available for nearly every interest and occasion.

New charm bracelets, depending on material, jeweled accents and intricacy of charms, range in price from $30 to upward of $1,000. On the secondary auction market, the prices vary, but online prices realized show a range of $10 to $200,000. Also, as of this writing, at least 100 lots featuring charm bracelets are set to sell in auctions listed on LiveAuctioneers.

Solid 14K white and yellow gold handbag bracelet charm with diamond accents on the front of the charm, finished with a pierced heart and filigree details on back, 2.1g. Sold for $120 during an April 2018 auction. GWS Auctions Inc. and Live Auctioneers image

With present-day wearers of charm bracelets combining vintage charms rich in sentimental value or a classic look with contemporary designs and elements, today’s most appealing charm bracelets seem to include mementos of past generations. For some wearers, charm bracelets may represent the opportunity to pay homage and draw on the strength and character of ancestors. For others it may signify a sense of belonging to a particular group or mindset, or indicate their stops along life’s journey and the places they long to see. Whatever the reason may be, wearing a charm bracelet is always a stylish statement.

# # #

When you think of celebrities who wear charm bracelets, your first thought probably isn’t of legendary American sharpshooter Annie Oakley. But one of the gifts Oakley received from her husband, Frank E. Butler, was a charm bracelet consisting of small gold pipes, with a spring-blade clasp and safety chain. Like most owners of charm bracelets, Oakley reported added to her bracelet while keeping with a singular theme – gold coins. Each charm on her bracelet was a British or American coin, including an 1873 half sovereign and an 1873 half eagle.

Annie Oakley’s gold coin charm bracelet sold for $200,000 (hammer price) in 2013. Heritage Auctions and LiveAuctioneers image

The first coin charm on Oakley’s bracelet was given to her in 1885 by the U.S. Cartridge Co. The rest were gifts from friends and family, including fellow competitive shooters, the secretary general of France, and W.F. “Buffalo Bill” Cody. The coin given to Oakley by Cody bears his engraved initials. While the bracelet wasn’t something she wore daily, there is photographic evidence of her wearing it on various occasions.

Not unlike her fellow wearers of charm bracelets, Annie Oakley held a special place in her heart and wardrobe for her bracelet. It was reported that in a show of support for the war effort she had nearly all of her silver and gold medals and trophies melted down to buy Liberty Bonds. However, the sentimental attachment Oakley had to her charm bracelet (which had a weight of about 1.35 troy ounces) made it something she chose to keep in her possession.

In 2013, during a Heritage Auctions’ sale, Annie Oakley’s gold coin charm bracelet sold for $200,000.

Viking jewelry refurbished, ready to wear in May 23 auction

Viking jewelry—warrior’s rings, sorcerer’s amulets and heart pendants—are mixed with ancient Roman and medieval Christian jewelry in a Jasper52 online auction on Wednesday, May 23. Many of the items date back to the eighth century through 10th century when Vikings roamed both sea and land.

Viking lunar/astrological gilt bronze pendant, circa 900-1000, 1¼ in. high. Estimate: $360-$480. Jasper52 image

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Continental class shines through in Jasper52 auction May 15

High-quality decorative arts and sterling silver are offered in a Jasper52 online auction on Tuesday, May 15. Featured are many Continental antiques, from a Viennese silver gilt and enamel clock to a pair of antique German silver and glass claret jugs.

Pair of solid silver and cut glass claret jugs, made in Germany, circa 1895, 10.2 in. high. Estimate: $2,700-$3,000. Jasper52 image

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