Mickey Mouse cels animate collectors

NEW YORK – Animation art has long been a popular collectible and is a great way to physically preserve a piece of one’s childhood. Among the earliest examples are production celluloids (cels) for Walt Disney animation movies, especially prewar film shorts starring Mickey Mouse.

The 1928 cartoon short, Steamboat Willie, for example, is notable in animation history as being the first film to star Mickey as well as the first cartoon to have synchronized sound. The National Museum of American History in Washington, D.C., has in its collection an original cel from Steamboat Willie, though it is not on public view. Cels were thin transparency plastic-like sheets that studio animation artists painted characters upon, which they then superimposed on a static background to cut down on how many reproductions were necessary to create a moving image.

An original production cel features Mickey Mouse as the sorcerer’s apprentice wearing the magic hat and with brooms in Disney’s 1940 feature film ‘Fantasia.’ The cel fetched $17,000 in December 2014 at Profiles in History. Photo courtesy of Profiles in History and LiveAuctioneers

Cels would be stacked and like a flipbook, the character would thus be animated to create movement. Many cels were required for even small movements so this was a tedious and time-consuming process.

Disney used this traditional style of animation in movie making for decades until digital animation became the standard in 1990 with the film, The Rescuers Down Under, the first Disney film to use a digital animation system.

This early production cel of Mickey and Minnie Mouse dancing comes from Mickey’s first official color film, ‘The Band Concert,’ circa 1936. It made $3,025 in August 2018 at RR Auction. Photo courtesy of RR Auction and LiveAuctioneers

Made of cellulose nitrate, cels are fragile and over time, they were subject to shrinking, discoloration and damage. Some have been lost to history but in the late 1930s and early ’40s, many were collected, preserved and exclusively licensed for sale by Courvoisier Galleries, which saw these works as valuable art. At the time, the gallery was selling cels for about $5 to $35, with prime examples priced at $50. “Guthrie Courvoisier, president of the highly esteemed Courvoisier Galleries in San Francisco, was aware of Disney’s escalating reputation, and saw vast opportunity in it,” according to the Walt Disney Family Museum website.

A rare 1934 ‘Two-gun Mickey’ original black-and-white nitrate production film cel earned $13,800 in November 2015 at Hake’s Auctions. Photo courtesy of Hake’s Auctions

What makes one cel more valuable than another is partly subjective, owing to a collector’s individual tastes, and partly determined by factors like rarity, condition, what the character  (Mickey, for this article) is doing, how he is posed (driving a steamboat, dancing or sitting, for example) and which film or cartoon short the cel was created for.

“Mickey Mouse has such a long and storied history when it comes to film that you can literally go in just about any direction when it comes to collecting original animation,” said Alex Winter, president of Hake’s Auctions in York, Pa. “Certainly the more expressive or unique the image, the more appeal it will have visually to collectors. When it comes to shorts, personal preference is key as to what your favorite Mickey images are to collect.”

Mickey Mouse is pictured on this production cel in one of his most famous roles as the sorcerer’s apprentice in ‘Fantasia.’ Photo courtesy of Profiles in History and LiveAuctioneers

As a general rule, the earlier the short, the more desirable and rare, he said. “Much like collecting comic books or sports cards wherein the first issue or the first year tends to be the most sought after and valuable, Mickey cels from his first black-and-white shorts fall into these same parameters. Of course, there are other shorts from later years that are fan favorites and command serious collector interest as well. The other thing you have to consider is if you just want a cel or if you want one with a production background. A full cel setup is the ultimate, but it also comes with a much higher price.”

This original production cel from Disney’s 1935 ‘Mickey’s Service Station,’ depicting Mickey Mouse and Goofy, attained $98,587 at Heritage Auctions in July 2014. Photo courtesy of Heritage Auctions

Museum-quality early cels starring Walt Disney’s favorite rodent can bring big money. In July 2014, Heritage Auctions sold an original, unrestored production cel and master background from Walt Disney’s 1935 short, Mickey’s Service Station, which starred Mickey Mouse and Goofy, attained $98,587. The film is notable as it was Mickey’s last black-and-white cartoon. “It’s an extraordinary price for an extraordinary piece,” said Jim Lentz, director of Animation Art at Heritage in a press release written immediately after the auction. “This is really a Holy Grail piece of animation and one of the best I’ve ever seen, from one of the best early Mickey cartoons and one of the very last black and white Mickey cartoons before Disney changed everything by going to color.”

Disney’s south-of-the-border features came out of the 1940 Goodwill Tour of Latin America by Walt Disney. This publicity cel of Mickey as an Argentine gaucho was from that tour. It realized $5,500 in November 2019 at University Archives. Photo courtesy of University Archives and LiveAuctioneers

Whether one is looking for high-end investment pieces or is just a casual collector, there is plenty of room in the market for all budgets and tastes. “It is really about how serious you want to get and what you are willing to spend,” Winter said, adding that the good thing is much Mickey animation has survived over the years (as opposed to some other cartoons) so the options are endless. “You can jump right in and get some wonderful one-of-a-kind pieces for very reasonable prices or start at the top and go for high end animation. Are you happy with just a few very key cels or would you like to have a sample from throughout the timeline of Mickey on the silver screen?”

Viking jewelry refurbished for Jasper52 sale April 8

A Jasper52 online auction to be held Wednesday, April 8, has a treasure chest of Viking and medieval jewelry, refurbished and ready to wear. Bidders can vie for sorcerer’s amulets and pendants, Viking warrior’s rings, Crusader’s crosses and more. Dating back to the 8th–15th centuries, these beautiful objects are steeped in history.

Medieval pilgrim reliquary cross, 7th-10th century, over 1 1/8in high. Estimate: $175-$225. Jasper52 image

View the auction here.

Learn more about the auction on Auction Central News.

Swords, netsukes on the rise in Asian arts auction April 8

Antique Japanese bladed weapons and finely carved netsukes are the featured attractions in an Asian arts auction that will be conducted online by Jasper52 on Wednesday, April 8.

Japanese tanto, Mino province, signed Kanenori, 1532-1555, 11¾in. Estimate: $4,000-$5,000. Jasper52 image

View the auction here.

Learn more about the auction on Auction Central News.

David Hockney: more than pool pictures

NEW YORK – David Hockney is synonymous with paintings of swimming pools, but throughout his career he has utilized many techniques and styles in creating art and his subject matter interests have ranged from landscapes to portraits. While celebrated as a painter, he is also a talented draftsman, printmaker, photographer and stage designer. From his double-portraits in the early 1960s, which gave way to swimming pools and California landscapes later that decade to rarely shown photographic collages in the 1980s and more recent iPad drawings printed on paper, the artist is known for bold and colorful works encompassing varied media.

David Hockney’s ‘30 Sunflowers,’ 1996, oil on canvas, made $2.2 million + buyer’s premium in May 2011 at Phillips. Photo courtesy of Phillips and LiveAuctioneers

Considered one of the most influential artists of the 20th century, Hockney was born in Bradford, England and has long maintained homes and studios in London and California, which inspires much of his artwork.

In early 2020, London’s National Portrait Gallery opened “David Hockney: Drawing from Life,” the first major exhibition of the artist’s works in two decades. The exhibition explored how drawing is integral to the manner in which Hockney (b, 1937) processes the world through his art and experiments with new techniques and concepts that later make their way into paintings. One art style seems to lead to another, creating a chain of sorts in his oeuvre.

David Hockney ‘Maurice 1998,’ etching A.P. II/X 44 x 30½in © David Hockney. Photo Credit: Richard Schmidt, Collection: The David Hockney Foundation; David Hockney ‘No. 1201,’ March 14, 2012, iPad Drawing © David Hockney. Image courtesy National Portrait Gallery, London

“Drawing from Life” explores Hockney as a draughtsman from the 1950s to now by focusing on his depictions of himself and a small group of sitters close to him: his friend, Celia Birtwell; his mother, Laura Hockney; his curator, Gregory Evans, and master printer, Maurice Payne,” according to a press release on the exhibition.

The exhibition includes new and early works that have not been publicly shown before. The exhibition was scheduled to travel to other museums, including the Morgan Library & Museum in New York.

This signed lithograph titled ‘Hotel Acatlan’ went for $67,600 + buyer’s premium in November 2019 at Palm Beach Modern Auctions. Photo courtesy of Palm Beach Modern Auctions and LiveAuctioneers

Among his most well-collected paintings are his California-inspired works, especially those of pools. The David Hockney Foundation website notes in its chronology for the artist that Hockney found endless inspiration in California’s landscape, both natural and man-made. Swimming pools were a favorite motif during the 1960s, where Hockney explored the reflective quality of pools and its interplay with sunlight. “He continues to be mesmerized, as his work attests, by that city’s swimming pools and other glistening surfaces,” according to the foundation website.

Hockney’s paintings routinely bring solid prices on the art market and it should come as no surprise little surprise that his sun-dazzled pool paintings are among the most desirable.

This 1976 photo portfolio, ‘20 Photographic Pictures,’ with 20 chromogenic prints, published by Editions Sonnabend, brought $60,000 + buyer’s premium at Millea Bros. Ltd. in May 2018. Photo courtesy of Millea Bros. Ltd. and LiveAuctioneers

Hockney’s self-portrait, one of many, Portrait of an Artist (Pool with Two Figures), 1972, set a new auction record in November 2018 for the most expensive painting by a living artist. It sold at Christie’s New York for $90 million. In February 2020, Sotheby’s London held a contemporary art evening auction that was led by The Splash, a 1966 acrylic, selling for over $28 million. The latter painting was made near the start of Hockney’s California era, which is marked by his California Dreaming series, where he began using acrylic paints.

While portraits and his California scenes are famous for being avidly sought after by collectors, Hockney’s landscapes are also notable, even ones not associated with West Coast locales. In February 2020, William Bunch Auctions & Appraisals in Chadds Ford, Pa., sold an English landscape from the 1950s, Kirton, an oil on board, well over its high estimate for $75,000.

This early landscape oil on board, ‘Kirton,’ circa 1950s, attained $75,000 + buyer’s premium in February 2020 at William Bunch Auctions. Photo courtesy of William Bunch Auctions and LiveAuctioneers

In the 1950s, Hockney painted landscapes around Suffolk County before discovering abstract expressionism, which had a profound influence on his artistic visions,” according to the auctioneer’s catalog notes for this painting. Still a teenager at this time, Hockney and fellow artist John Loker were known to have spent some time around Kirton in 1957, on their way to Constable, to paint or sketch local scenes en plein air. They were often seen riding around the countryside on their bicycles.

In his native Bradford, where he was born, he is so revered that Bradford Museums & Galleries, whose art collection likely intrigued and inspired the artist-to-be as a child, officially opened up its David Hockney Gallery in July 2017 as part of Cartwright Hall.

A polychrome pencil and tempera work on paper, inscribed ‘Small Californian Forest,’ realized $66,572 + buyer’s premium in June 2019 at Itineris. Photo courtesy of Itineris and LiveAuctioneers

Jill Iredale, curator of fine arts at Bradford Museums & Galleries, wrote in a blog a month later about the intimate look the new gallery offers and its rare insights. “It provides examples of the different medium he has used and introduces some of the recurring themes in his work, and it gives an insight into his family life through his personal photograph albums—albums that have never been seen in public before,” she wrote.

From his self-portraits to depictions of family and people in his inner circle to idyllic landscapes and color-saturated scenes, Hockney’s works continue to fascinate viewers. In more than 60 years of making art, he has made many memorable pictures, playing with the elasticity of space and time as well as texture, color and light.