Hats off to Stetson, an American classic

A Stetson hat that John Wayne gave to Joe Franklin before appearing on the latter’s namesake television show in 1963 earned $9,800 in April 2016. Image courtesy of Saco River Auction and LiveAuctioneers.

A comfortable hat provides more than just warmth and protection, it can make a statement, too. No one knows that better than the legendary American hat company Stetson.

The iconic headgear evolved directly from the Gold Rush of 1848. Young men seeking to strike it rich endured frigid temperatures, snow, rain and constant flooding while trying to find a chunk of the shiny yellow metal that would make all the discomfort worth it. 

A 1942 Edward McKnight Kauffer poster shows the pop-culture ubiquity of the Stetson brand. The phrase ‘Keep it under your Stetson’ was as popular during World War II as the phrase ‘Loose lips sink ships.’ This example of the poster achieved $1,500 plus the buyer’s premium in May 2021. Image courtesy of Swann Auction Galleries and LiveAuctioneers

Like his fellow miner Levi Strauss, John Batterson Stetson (American, 1830-1906) made his fortune by inventing a product that made miners’ lives easier. He created a water-resistant long-brimmed felt hat that provided some protection from the elements and shade from the sun. Beaver pelts yielded a strong felt that Stetson pressed with other animal felts to form into a hat with a tall crown. He introduced it in 1865 as the “Boss of the Plains.” A story associated with the hatmaker claims a miner on horseback paid $5 – about $90 in modern dollars – for the hat perched on Stetson’s own head. Having passed this unorthodox test of market appeal, Stetson founded the John B. Stetson Hat Company in Philadelphia, Pennsylvania. “Within a decade the name John B Stetson became synonymous with the word ‘hat’ in every corner and culture west of the Mississippi River,” said Texas Bix Bender, author of Hats & the Cowboys Who Wear Them. 

A lot consisting of various LBJ material, led by a Stetson with a sweatband marked ‘Made by Stetson Especially For Lyndon Baines Johnson’ earned $12,000 plus the buyer’s premium in July 2022. Image courtesy of A&S Antique Auction Co. and LiveAuctioneers

Making a felt hat is a challenging process, that hasn’t changed much since the time of John Stetson, who learned the trade from his father. Finding the right animal fur or combination of animal furs for the felt is still labor intensive and costly. The Stetson company website states its felt hats contain beaver, mink, chinchilla and other animal furs. Stetson describes the amount of beaver fur used for each felt hat as the X quality: “The higher the X’s, the higher percentage of beaver fur is mixed in the hat … the exact percentages are a manufacturing secret formula that we choose not to share.”

Stetson made more than cowboy hats. A beaver top hat with its original hat box, bearing inside its brim a stamp saying it was made ‘especially for Ulysses S. Grant,’ sold for $600 plus the buyer’s premium in April 2020. Image courtesy of Rentzel’s Auction Service Inc and LiveAuctioneers

Converting fur to felt involves hot water, steam and lots of pressing into shape – a Stetson hat typically requires two days to go from raw materials to finished product. The wearer determines its final shape. For example, a center crease for the crown, a pinch on either side and a rolled brim forms the cowboy-hat style called the Carlsbad (so named because its unique creases were first created in Carlsbad, New Mexico). Once the desired shape is chosen, the Stetson is heavily steamed and “blocked,” or formed against a hat-shape wooden block, to fix and confirm it. Individual styling details may include feathers, leather straps and even precious metals or jewelry. Once purely utilitarian, the cowboy hat has transformed into an independent fashion statement.

An early Montana Peak Stetson with a marked satin liner and a wide ribbon hatband sold for $600 plus the buyer’s premium in August 2022. Image courtesy of New Frontier Western Show & Auction and LiveAuctioneers

Stetson’s genius extended beyond millinery to marketing. After he formalized the production process to make hats in quantity, he launched the brand by giving the product away to small retailers and general stores in mining communities. As the new hat proved itself worthy among miners, as Stetson knew it would, demand soared.

An undated Stetson Hat Co/ window card featuring art by Edward Borein achieved $7,250 against an estimate of $250-$300 in September 2017. Image courtesy of Showtime Auction Services and LiveAuctioneers

It should be mentioned that Stetson lived in a world where everyone wore hats, all day, every day. Hats were, of course, useful. They kept the sun out of the wearer’s eyes before the invention of sunglasses. They served as briefcases for those who liked to tuck important documents inside them. And, of course, they warmed and protected the head. But they also signaled the wearer’s profession, and, by extension, their rank and status.

Tom Mix, the first star of silent film Westerns, wore an authentic Stetson Boss of the Plains 10-gallon cowboy hat specifically because the high crown and single crease looked great on camera.
His Stetson and his Colt SAA together realized $32,000 plus buyer’s premium in August 2022. Image courtesy of Burley Auction Group and LiveAuctioneers

Universal hat-wearing began a slow decline in the early 20th century, coincidentally at the same time when silent films were on the rise. By the mid-1920s, 50 million people – roughly half the country’s population – went to the movies every week. Tom Mix, the first famous cinematic cowboy, appeared on screen in a 10-gallon hat (which really only held three-quarters of a gallon). Gene Autry and Will Rogers sported cowboy hats early in the era of the talkies, aka movies with sound. John Wayne owned the role of the silver screen cowboy like no one before or since, and he virtually never stepped before the camera without the requisite headgear. The Stetson he wore in the 1948 classic Red River is almost as iconic as the film itself.

Another John Wayne-owned Stetson has a great story behind it – the lot notes that Wayne used it to pay an overdue dinner check, yelling, “Take my xxx-damned hat, it ought to be worth at least that much!” Stetson graded it XXXXX, meaning that it was one of the highest-quality felt hats the company produced. It achieved $6,000 plus the buyer’s premium in November 2021. Image courtesy of Heritage Auctions and LiveAuctioneers

Ever adept in the realm of marketing, Stetson supplied cowboy hats to movie stars, and in turn, featured the hat-wearing actors in its advertisements. The company understood that if you liked the actor, you’d buy the hat. 

A Stetson hat owned by President Harry S Truman, which survived with its original Stetson case bearing an H.S.T monogram, sold for $1,400 plus the buyer’s premium in April 2019. Image courtesy of Dan Morphy Auctions and LiveAuctioneers

President John F. Kennedy is broadly (and incorrectly) blamed for the demise of hat-wearing, a societal shift that actually began decades earlier. Over time, Stetson, like all other hat makers, was affected by changing tastes. By 1968, the company no longer made its own hats. Instead, it became a licensor, granting other companies the right to manufacture all Stetson hats under strict standards of quality. Hatco of Garland, Texas, is the current licensee for the entire Stetson catalog and employs about 200 people.

A circa-1920s Art Deco neon sign touting Stetson hats realized $3,400 against an estimate of $550-$600 in June 2016. Image courtesy of Heritage Auctions and LiveAuctioneers

It’s not easy to determine when a Stetson hat was made simply by looking at it, although most bear some clues that help to narrow down their vintage.

  • Hats from the 1920s to the late 1930s had a round gold sticker attached to the inside sweatband with the size of the hat printed on it. A ¾-inch round black size tag made of paper, with a gold outline and a number, was in use from the 1940s through the 1960s, while a square black tag with the size listed in gold was employed from the 1970s to the present day.
  • You can check for a union label, which is located in the hat band. The United Hatters Cap and Millinery Workers label was used from 1934 until 1983 when a merger changed the union label to Amalgamated Clothing and Textile Workers Union. No union labels appeared on Stetsons prior to 1934.
  • Under the hat’s crown inside, you may see a colored printed liner of a cowboy giving his horse water from his cowboy hat. It’s an image known as “The Last Drop” which has been used from the 1970s to the present day. Prior to the advent of this liner, variations of a coat-of-arms design were in use as far back as the 1920s.

To better identify Stetson hats by design, era and type, you may wish to consult Jeffrey B. Snyder’s book Stetson Hats and the John B. Stetson Hat Company. You can also seek assistance from online groups dedicated to the history and legacy of the Stetson hat.

A Stetson hat, whether vintage or contemporary, is wearable history. Those who donned Stetsons made under the founder’s watch wore them because they needed to, but in the 21st century, you don a Stetson because you want to, and that makes all the difference. 

Jasper52 presents stylish all-Hermes auction, July 31

On Sunday, July 31, starting at 8 pm Eastern time, Jasper52 will hold a sale dubbed Rare and Coveted Hermes Collections – 294 lots, all featuring treasures from the venerated French firm. Absentee and Internet live bidding will be available through LiveAuctioneers.

Of course, the lineup contains a generous selection of handbags. These range from a Birkin 35 Porosus crocodile bag in a Bordeaux hue with 18K white gold hardware set with more than 10 carats of diamonds; a Birkin 25 matte vivid blue Zellige alligator bag with gold hardware; a Birkin 35 Porosus crocodile bag in a striking color called Rose Scheherazade, fitted with gold hardware; a Birkin 30 Porosus crocodile bag in jade green, with palladium hardware; and a Birkin 25 lizard bag in black, described as very rare and sporting gold hardware.

Hermes Birkin 30 Porosus crocodile bag in jade green with palladium hardware, est. $150,000-$180,000

View the auction here.

Learn more about the auction on Auction Central News.

Jasper52 lays out luxe array of designer accessories, June 15

Jasper52‘s Rare and Coveted Designer Accessories sale delivers on its promise. Scheduled for Wednesday, June 15, starting at 7 pm Eastern time and boasting more than 550 lots, it’s quicker and easier to list the brand names that don’t appear in the auction instead of those that do. Absentee and Internet live bidding will be available through LiveAuctioneers.

Four iterations on Van Cleef & Arpels’ popular Alhambra line of jewelry are on offer, led by a 20-motif necklace in diamond and turquoise. Other notable pieces of jewelry in the June 15 sale include works by Barry Kieselstein-Cord, among them a solid 18K gold bracelet with a Women of the World theme, and a pair of 18K green gold earrings in the form of hearts topped with crowns. Equally worthy of mention is a vintage Dolce & Gabbana belt festooned with emerald-cut ruby-like stones and Swarovski crystals.

Fendi 3Jours medium crocodile tote in electric blue, est. $38,000-$46,000

View the auction here.

Louboutin purple pumps step up in May 31 Luxury Fashion sale

A Chanel quilted glazed leather Large Boy handbag in dark green ombre, a Hermes Garden Party handbag in etoupe-colored leather, and a pair of Christian Louboutin suede purple pumps with five-inch heels will compete for top lot status at Jasper52‘s Luxury Fashion Louis Vuitton, Chanel auction. It will be conducted on Tuesday, May 31, starting at 5 pm Eastern time.

Christian Louboutin purple suede pumps, est. $500-$600

View the auction here.

Learn more about the auction on Auction Central News.

It’s hip to be square: all-Hermes scarf sale, May 17

Leave it to Hermes to make something perfectly square perfectly chic. On Tuesday, May 17, starting at 1 pm Eastern time, Jasper52 will present a sale titled Exclusive Hermes Scarf Collection, devoted to the fashion must-have that the French firm debuted in 1937.

View the auction here.

Learn more about the auction on Auction Central News.

Louboutin pumps add glamour to Jasper52’s April 21 Luxury Fashion sale

A pair of beige Christian Louboutin Bianca pumps, a ladies’ Gucci G Bandeau fabric strap watch, and a patent leather Louis Vuitton Monogram vernis brea handbag will compete for top lot status at Jasper52’s Luxury Fashion auction, which will take place on Thursday, April 21 at 6 pm Eastern time.

Christian Louboutin beige Bianca pumps, est. $700-$800

View the auction here.

Learn more about the auction on Auction Central News.

Vintage denim: Beloved by cowboys, film stars and fashionistas

A Lee denim jacket signed by Andy Warhol, Jean-Michael Basquiat and Robert Rauschenberg sold for $4,250 plus the buyer’s premium in December 2011. Image courtesy of Heritage Auctions and LiveAuctioneers

Denim has evolved by light years since its humble origins as the poor man’s workwear. Over time, Hollywood rebels and rugged characters of the Old West have imbued the cloth with an air of glamour, ultimately elevating vintage denim clothing to the status of “collectible.” But not all denim is the same, since the product it comprises can range from standard blue jeans and overalls to bags, caps and even bedspreads. 

A complete circa-1940 denim twill conductor’s uniform for the Norfolk Western Line railroad achieved $2,250 plus the buyer’s premium in December 2015. Image courtesy of Dan Morphy Auctions and LiveAuctioneers

Denim did not actually originate with the 49ers, i.e., miners attracted by the 19th century Gold Rush in California. It was first woven as a twill fabric in Nimes, France in the late 15th century. Traders labeled the cloth as de Nimes (from “Nimes”), a practice that likely gave rise to the word “denim.”

The French fabric was favored for work clothing such as overalls, vests, jackets, and uniforms because it could withstand heavy daily use for a longer period than plain woven cotton cloth. Over many decades however, the now-classic denim look, featuring an outer finish in indigo blue with a white interior, become a staple of fashionable outerwear and accessories.

Found unworn in storage, this vintage 1930 denim jacket with the classic Levi Strauss & Co., leather label sold for $11,000 plus the buyer’s premium in October 2019. Image courtesy of Daniel Buck Auctions, Inc., and LiveAuctioneers

A similar fabric to French denim was woven in the late 15th century in Genoa, Italy, but it was considered a corduroy weave rather than a twill. As with denim, the cloth was reserved for work outfits in this case, for Italian sailors, because it maintained its integrity whether it was wet or dry. The French word for Genoa was “Genes,” which may have morphed into the word “jeans.” A French military uniform made from “bleu de Genes” fabric in 1795 is the first known use of the term “blue jeans,” which is now relegated to pants only. 

A pair of circa-1940s new-old stock Lee Riders blue jeans achieved $9,600 plus the buyer’s premium in April 2019. Image courtesy of Daniel Buck Auctions, Inc., and LiveAuctioneers

A third woven twill fabric of note emerged near Mumbai (formerly Bombay), India in the 17th century. Described as “cheap, coarse, thick cotton cloth,” it was invented by the weavers of Dongri and sold under the name “dungri” Transformed into work-ready outerwear such as smocks and bib-and-brace overalls by manufacturers in England and Europe, the cloth eventually became known as “dungarees.”

Durable as these woven types of cloth were, certain areas of garments made from them wore out faster than others, especially the pocket corners, the seams and also the bottom of the button fly on men’s pants. In 1969, Jacob Davis, a tailor working in Reno, Nevada, came up with a solution. Davis routinely bought bolts of denim and canvas material from Levi Strauss, a dry goods proprietor in San Francisco, to make and sell sturdy work clothing he reinforced with copper rivets in the areas that endured the most punishment.

According to legend, Davis wrote to Strauss in 1872, suggesting a partnership. Strauss agreed, and in 1873, US patent No. 139,121 was issued for an “Improvement in Fastening Pocket-Openings.” That same year, Davis added double orange thread stitching on the back pockets of the pants. The distinctive decoration, united with the copper rivets, marked the arrival of an American icon: Levi’s.

This circa-1960 pair of never-worn Levi 505 jeans, with sales tags attached, earned $1,000 plus the buyer’s premium in November 2020. Image courtesy of Flannery’s Estate Services and LiveAuctioneers

Levi’s indigo blue jeans, the standard from which modern blue jeans evolved, starts with the patented copper-riveted version of 1873, which had two front pockets decorated with double-stitched orange thread and one rear pocket on the right side. The men’s style had a button fly in front and the women’s style placed the fly on the left side, following the company’s now-trademarked “arcuate” (arc-like) design.” 

‘Untitled (Jeans),’ an ink-on-denim drawing by Keith Haring, achieved $10,000 plus the buyer’s premium in June 2021. Image courtesy of Rago Arts and Auction Center and LiveAuctioneers.

By 1890, the jeans featured the legendary five-pocket design, with two in the front, two in the back and a fifth small front pocket, ideal for a pocket watch. The leather tag showing two horses pulling the jeans apart, called “The Two Horse label,” first appeared in 1886, but sometime in the late 1930s, it acquired a three-digit number on the lower left side that verified the style and date of manufacture. 

The company began branding their jeans with a small red embroidered cloth tag in 1936. It introduced a denim shirt two years later and launched a denim line exclusively for women in 1949.

The upper parts of two pairs of circa-1880s Levi’s jeans earned $8,250 plus the buyer’s premium in August 2021. Image courtesy of Holabird Western Americana Collections and LiveAuctioneers

Levi Strauss & Co., remains a cultural touchstone in denim wear, with consistently high auction prices for its early productions, no matter the condition. In 2018, a pair of denim jeans manufactured in 1893 sold for nearly $100,000. “It’s somebody who loves old Levi’s,” said Daniel Buck Soules, from Daniel Buck Auctions in Maine.

A door push promoting Can’t Bust ‘Em denim overalls sold for $325 plus the buyer’s premium in May 2016. Image courtesy of North American Auction Company and LiveAuctioneers

Other well-known brands made their debut around the turn of the 20th century, capitalizing on the success of Levi Strauss & Co. For example, Osh Kosh B’Gosh got its start in 1895; Wrangler jeans in 1904; and Lee denim overalls and shirts in 1911. Lee acquired an early brand of denim overall called Can’t Bust ‘Em that was targeted at gold miners, but lacked rivets and reinforcements. Examples of the Can’t Bust ‘Em denim brand dating to the American gold-mining period appear at auction infrequently and are regarded by some as long-term investments.

A Levi Strauss cowboy-themed display fitted with an oversize pair of jeans attained $2,500 plus the buyer’s premium in March 2012. Image courtesy of Showtime Auction Services and LiveAuctioneers

Movies set in the Old West sparked fresh interest in denim clothing that led to another enduring fashion favorite: the denim jacket, which was introduced in the early 1920s. By the 1950s, denim became associated with movie rebels Marlon Brando and James Dean, and by the late 20th century, denim had shed its workaday past and gone decidedly upmarket. Fashion designers Gloria Vanderbilt, Ralph Lauren, Gucci and others produced jeans, bags and other coveted pieces in the resilient fabric, carving out a niche of their own at auction. A vintage woman’s Chanel denim jacket sold recently for $2,200 not an unusual occurrence for designer denim.

A Louis Vuitton denim monogram handbag achieved $19,000 plus the buyer’s premium in March 2022. Image courtesy of Bidhaus and LiveAuctioneers

Denim appears in many different forms from just as many different companies. Manufacturing details such as buttons, pockets, fly styles (zipper or button) and color variations can affect a piece’s value. A good place to start researching denim brands is and the collector’s guide to Levi’s at

This Chanel long-sleeved denim jacket sold for $6,300 plus the buyer’s premium in October 2021. Image courtesy of Mynt Auctions and LiveAuctioneers

Denim and its cousins could have disappeared right along with the shattered dreams of those miners who did not strike it rich in the Gold Rush days, but its rugged durability spared it from that fate. Pop culture images of cowboys and societal mavericks clad in denim made the fabric seem cool, and when top fashion designers embraced denim, it rose in status yet again. Today, vintage denim doesn’t just deliver a classic look; it can also fit nicely into a collection of other investment-grade pop-culture collectibles.

Bevy of Birkins highlights Hermes handbags sale July 14

Many companies – storied, well-respected companies – produce handbags. But among collectors, and in particular, within the realm of the secondary market for handbags, it’s all about Hermes. Caitlin Donovan, Christie’s New York head of sales for handbags and accessories, told Galerie magazine in 2020 that “Eighty percent of the handbag department is Hermes.”

Hermes handbags aren’t just beautiful; they make for a solid investment. A 2017 study cited by Business Insider showed that the value of the Birkin, the most sought-after Hermes handbag style, had risen 500% in the last 35 years – a far better performance than the stock market.

Whether you’re seeking a dependable but elegant daily driver of a bag or the next addition to your growing Hermes collection, Jasper52 has just the auction for you. Its Exclusive Hermes Handbag Sale starts on July 14 at 3 pm Eastern time.

View the auction here.

Learn more about the auction on Auction Central News.


Let’s get one thing straight right away: the world of Reginald Jeeves and Bertram “Bertie” Wilberforce Wooster is as fantastical as Middle Earth or Westeros. Sure, P.G. Wodehouse (which is pronounced “Woodhouse”) set the stories in England and New York in an ambiguous time that evidently falls between the world wars, so they can claim connections to places that actually exist. But Jeeves, the uber-competent valet to the well-heeled Bertie Wooster, had might as well be an elf or a dragon. A man of his skill and intellect finding satisfaction in serving a young, proudly idle Englishman whose greatest accomplishment seems to be making and breaking engagements to at least a quarter of the high-born daughters in his circle? Unbelievable.

Jeeves’s loyalty to Wooster, along with Wodehouse’s peerless writing, drives the enduring appeal of the stories. When the wizards who adapted them for the Jeeves and Wooster television series in the late 1980s and early 1990s, they tackled the task of translating the luxurious lives of Wooster and his friends into fittings and furnishings. They succeeded admirably. The only thing that eclipsed the achievement was their recruiting of the British comedians Hugh Laurie and Stephen Fry to play the title characters. The television show, and not the books, were front of mind when rummaging the archives for auction results that evoke the early 20th-century backdrops the beloved Wodehouse characters moved through. With a friendly “What Ho,” we invite you to enjoy this collection of sold lots* that call to mind the rarified realm of Jeeves and Wooster.

Tea Time

Spode bone china service in Sheffield pattern

How does Bertie Wooster take his tea? According to the television series, the answer is “in bed.” Several episodes picture him sipping his morning cuppa as he converses, muses, and schemes with Jeeves. The eagle-eyed author of the Look Back & Hanker blog identified the teacup Hugh Laurie holds in the first episode of the first series as belonging to Spode’s Sheffield pattern. In 2004, Auctions by the Bay offered a service in the long-running bone china pattern that included 13 teacups and 14 saucers. It sold for $850.

Shaken and Stirred: A Toast to Simplicity

George V silver cocktail shaker by Herbert Edward

Jeeves can’t stand sartorial crimes, and he judges Wooster guilty with some regularity. When he carries home a jacket or a hat that’s a little bit non-traditional (and why shouldn’t he—what’s the point of being absurdly rich if you can’t be eccentric?), Jeeves reacts as if Wooster had announced an intention to stride out of his apartment in an outfit comprised of a mink stole, hip waders, and a dickie. If panic roils Jeeves, he never shows it. He solves the problem by rescuing Wooster and his friends from the scrape du jour and banishes the offending item from his master’s wardrobe as payment. This is a somewhat long-winded way of saying just as Jeeves doesn’t tolerate fads in men’s clothing, he doesn’t tolerate it in barware, either. No way would he deign to prepare Wooster’s nightly tipple in a novelty cocktail shaker shaped like a penguin or a zeppelin or even a set of golf clubs. He relies on a plain but elegant silver cocktail shaker of the sort offered at Elstob & Elstob in January 2021. Dating to circa 1923, it was designed by Herbert Edward and commanded £950, or about $1,300.

Art Deco Tech

Pye Type 25 English portable radio, 1928

Wooster is young and wealthy and surrounds himself with the best of his era. For him, that means decorating his apartments in Art Deco style. Contrast his digs with the vaguely Edwardian feel of the interiors of his club and the imposing Victorian rooms of the country homes of his assorted aunts, and the difference is immediate and unmistakable. The Wooster of the television show unreservedly lives in the now; it so happens that “now” is decades ago to the viewer. Wooster owns a radio, or as he would have called it, a “wireless,” and it looks as good as it sounds. It’s placed between the writing desk and the piano in his London apartment, and it appears to be a circa-1928 Type 25 portable radio by Pye. Auction Team Breker sold one in 2015 for €240, or about $300.

Thrones for Drones

Arts & Crafts English leather club chairs

Wooster is a member of good standing in the Drones Club, which is named in honor of male bees that perform no work. It provides a haven for Wooster and a place where characters from P.G. Wodehouse’s assorted literary universes meet. The interiors assembled for the adaption of Jeeves and Wooster look exactly as one would expect—coffered ceilings and lots of cozy spaces finished with dark woods. Of course, a club requires club chairs. The Drones Club certainly doesn’t lack them, and the animated opening credits of the show depict a few Drones luxuriating in the embrace of just such a chair. This set of circa-1930 Arts & Crafts English leather club chairs isn’t a perfect match for those shown on screen—they have a little too much decoration—but they otherwise look the part. Offered at Treadway Toomey Auctions in May 2006, they sold for $3,250 against an estimate of $1,500 to $1,800.

The Country Life

Diana the huntress bronze

A fair amount of the action of the Jeeves and Wooster television series takes place at the country homes of Wooster’s friends and family. Being English, virtually all of them keep spectacular gardens as a matter of national pride. A bronze of Diana, goddess of the hunt, reaching back to grab an arrow from her quiver appears on the grounds of Chuffnell Hall, the retreat of Lord Chuffnell, or as Wooster knows him, “Chuffy.” Ahlers & Ogletree Auction Gallery sold a similar-looking statue in November 2017 for $10,000 against an estimate of $3,000 to $5,000.

In All Things, Be Prepared

Louis Vuitton & Christofle cocktail set

The television adaptation establishes early in its run that Wooster’s liquid intake largely alternates between tea and booze. Both must continue to flow no matter where he and his manservant are, be it at home or out in the boondocks of the Home Counties. Jeeves equips himself for this eventuality with a travel cocktail set that permits him to mix drinks from the “boot,” or trunk, of a car. An undated Louis Vuitton & Christofle cocktail set, nested in a black leather case, was offered by Abell Auction in December 2011, and while not of British manufacture, would not have been rebuffed, either by Jeeves or Wooster. French made, it’s the product of two impeccable firms that represent the best of the best. It sold for $3,250 against an estimate of $3,000 to $4,000.

Direct from the Source

English silver cow creamer, 19th c, stamped BH

Want to delight a Jeeves and Wooster superfan? Give them an antique silver cow creamer. The adventures of this jaunty piece of hollowware dominate one of the best-loved Jeeves and Wooster stories, The Code of the Woosters. It starts with Wooster’s Aunt Dahlia enlisting him to sneer at an antique cow creamer and accelerates hilariously from there. Looking at LiveAuctioneers’ archives yields several good results for silver cow creamers, with demand driven at least in part by Wodehouse fans. A 19th-century English example sold by Pook & Pook in December 2011 for $650 against an estimate of $150 to $250. Canonically, the cow creamer is supposed to date from the 18th century, but the friendly little silver bovine with its pert curling tail doubling as a handle looks much like the one showcased in the television series.

Clothes Make the Man

[Wodehouse, P.G.], Tweed Waistcoat from the 1989 Jeeves

At least one happy bidder out there can embrace the idea of living like Jeeves and Wooster almost literally. A May 2020 Freeman’s auction of a P.G. Wodehouse collection included a tweed waistcoat supplied by Angels & Bermans that was actually worn by Stephen Fry in his portrayal of Jeeves for the television series in 1989. Estimated at $100 to $150, it sold for $350. We hope the winner was on the larger end of the menswear spectrum as Fry stands six feet, five inches tall.

As of April 2021, Jeeves and Wooster is not streaming on any platforms, but it’s easy to immerse oneself in the deeply likable duo’s world by reading or rereading P.G. Wodehouse’s Jeeves and Wooster books. HP at Plumtopia, a site for Wodehouse admirers, composed a reading list for the series. Click to view it.

To learn about Jeeves and Wooster’s backgrounds, visit Look Back & Hanker’s blog post.



Full line of Hermes items available in March 3 auction

An all-Hermes lineup will be offered in a Rare and Coveted Designer Accessories auction that will be conducted by Jasper52 on Wednesday, March 3. Thirteen Hermes Birkin bags – several valued at six figures – and 29 Kelly bags, clutches and wallets head the list of 143 lots.

Hermes Birkin 35 bag Colvert Blue porosus crocodile leather with gold hardware. Estimate: $94,000-$113,000. Jasper52 image

View the auction here.

Learn more about the auction on Auction Central News.