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Japanese Antiques – Decorative Expressions of Nature

For many centuries Japanese artists have embraced the concept of “less is more.” The elegant simplicity of Japanese decorative art appeals to a market that extends well beyond the Far East.

The Japanese approach to artistry often draws on nature for inspiration, sometimes with a witty touch. Here’s a selection of Japanese decorative art that expresses that special methodology.

Hiramaki-e Lacquered Box

This Japanese Hiramaki-e box, beautifully lacquered with gold scrolling vines, delicate leaves and a repeating circular mon (family crest) against a black lacquer ground, was probably commissioned by a wealthy Japanese family during the Meiji period (1868–1912).

 

Japanese lacquer Hiramaki-e box with Mons, Meiji Period, 13 1/4in x 6 1/4in x 6in. Estimate: $1,500-$2,000. Jasper52 image

 

Utagawa Kuniyoshi Drawing of Shima

A nearly finished preparatory drawing by Utagawa Kuniyoshi for his “Views of Provinces of Greater Japan” series, circa 1845, is from a well-documented group of albums from the artist’s studio. It is an ink-on-paper work.

 

Utagawa Kuniyoshi, unfinished drawing representing the province of Shima, circa 1845, 13 x 10 inches, sumi (black ink) on thin paper. Estimate: $1,000-$1,500. Jasper52 image

 

Japanese Carved Three Monkeys Tonkotsu Sagemono, or Tobacco Box

Three Monkeys – See No Evil, Hear No Evil and Speak No Evil – comprise the theme of a meticulously carved tonkotsu, a Japanese tobacco box, which would have been suspended from a man’s belt or sash. This fine example dates to the mid-19th century.

 

Japanese tonkotsu sagemono, tobacco box, mid-19th century, largest monkey is 3 1/2 inches high. Estimate: $4,500-$6,000. Jasper52 image

 

Mingei is a word meaning “arts of the people.” It was coined by Soetsu Yanagi, combining the Japanese words for “all people” (min) and “art” (gei). His keen eye discerned that many useful, pre-industrial articles made by unknown craftsmen had a beauty seldom equaled by artists of modern societies. This type of art shares a direct simplicity and reflects a joy in making, by hand, useful objects that are satisfying to the human spirit.

Meiji Period Carved Wood Daikoku Figure

A large Japanese carved wood Daikoku figure from the Meiji Period is a fine example of mingei. One of the seven Japanese gods of good fortune, Daikoku is the deity of prosperity. Here he is seen in his traditional pose, standing on two bales of rice with his wish-granting mallet in his right hand, and a bag of riches slung over his left shoulder. Daikoku is also venerated as the deity of the kitchen, where such carvings were traditionally displayed for good luck.

 

Large Japanese carved wood Daikoku mingei figure, Meiji Period, 24in high. Estimate: $750-$1,000. Jasper52 image

 

Bronze Vessel Depicting Ox and Boy

Also from the 19th century is a 6½-inch bronze ox, ridden by a boy. The body of the ox doubles as a container.

 

Japanese bronze ox and boy figure, 19th century, 6 1/2in x 6 1/2in x 3in. Estimate: $800-$1,200. Jasper52 image

 

19th-Century Kiseruzutsu, or Pipe Case Carved from Stag Horn

A 19th-century Asakusa school kiseruzutsu, a Japanese tobacco pipe holder or case, is stag horn carved in the shape of a stem of Immortality Fungus with five heads. This exotic and elegantly carved piece is 7½ inches long.

 

Japanese Asakusa school pipe case, carved in a shape of a stem of Immortality Fungus with five heads, 19th century, 7 1/2in long. Estimate: $2,000-$2,500. Jasper52 image

 

View the full catalog containing many other pieces that express the Japanese approach to decorative art.

Intro to Collecting Japanese Woodblock Prints

An overview of beginning your Japanese Woodblock print collection and a preview of the upcoming Jasper52 auction on Saturday, September 10 at 4:00pm ET. Written by Dieuwke Eijer.

The word ‘collecting’ is often associated with ‘lots of money.’ As that may be correct in specific categories of collectables, some of the traditional collecting fields are offering us surprising opportunities. Luckily, within the Japanese woodblock prints we can find an amazing variety of high quality prints in good condition that do not break the bank, along with the blockbuster prints, such as the “Great Wave” by Hokusai.

Japanese woodblock prints can be divided into four broad categories:

  • Ukiyoe – traditional woodblock prints until roughly 1900
  • Shin-hanga – created from the late Meiji era until World War II, showing a mixture of traditional Japanese and modern western elements
  • Sosaku-hanga – avant-garde movement of the 1950s-1970s
  • Works by contemporary artists

Each category produced remarkable artists and subjects, to satisfy each possible angle of collecting prints. You can collect broadly, picking one print by each artist or school, from the beginning of ukiyoe until today. But there are also print collections narrowly focused on certain elements, such as on clocks, or firemen and their equipment, collections of works by Kawase Hasui and his peers (example below), or of complete series by a single ukiyoe artist – such as the B.W. Robinson collection of Kuniyoshi prints.

Kawase Hasui, Yakushi Temple, Nara, 1951. Est. $150-$200. Image from Jasper52

Kawase Hasui, Yakushi Temple, Nara, 1951. Est. $150-$200. Image from Jasper52

The group of prints offered in the September 10th Jasper52 auction, represents a broad array of artists from the ukiyoe school to the sosaku-hanga movement. Among the ukiyoe school prints, you will find works by Hiroshige from a variety of his series. Each of them is a very good impression and in remarkable color condition, giving us insight in some aspects of life in the city of Edo or along the road. The inside of an inn in Ishibe, a samurai train crossing the Oi River near Shimada, or people enjoying tea, a pipe and something to nosh at a tea stall near the Sanno Shrine.

Hiroshige Print - Jasper52

Utagawa Hiroshige, The Reservoir and the Sanno Shrine, 1854. Est $150-$200

In the late 19th century, Westerners started to travel to Japan, and the prints from that period reflect modern art concepts that led to the shin-hanga movement in the 20th century. Simultaneously, some Japanese artists chose to stick to traditional Japanese themes and turned their focus to nature. Examples of both can be found in this catalog. Eight works by the great observer of birds Ohara Koson are complemented by bird prints by some of his contemporaries, representing the artist group that turned to nature. On the other hand, great atmospheric evening views along the Sumida River in Tokyo by Kobayashi Kiyochika show us western influences. A canal with houses lined up in perspective; the silhouette of a man in western suit and hat among people dressed in kimono.

Kobayahshi Kiyochika Jasper52

Kobayashi Kiyochika, Night Scene at Sumida River, 1910’s. Est $200-$300

Shin-hanga artist Yoshida Hiroshi continued the landscape tradition of his great predecessors Hokusai and Hiroshige. At the occasion of the publication of his catalogue raisonné in 1987, a few of his masterworks were re-printed from the original blocks. Printed with the same care that Yoshida himself would have exercised, would he have lived, these posthumous works in amazing condition are affordable.

Hiroshi Yoshida, Spring in a Hot Spring. Originally published in 1927, this is a print from 1986. Est $200-$250

Hiroshi Yoshida, Spring in a Hot Spring. Originally published in 1927, this is a print from 1986. Est $200-$250

The prints are closed off by a few representatives of the sosaku-hanga movement and contemporary artists. Their names may be lesser known among the western collectors, but the quality of materials and degree of perfection are continued and can make the starting point of a wonderful collection.  

 


Dieuwke EijerDieuwke Eijer has over 20 years experience in Japanese traditional art. Before relocating to NYC, she led the Asian Art department at one of Europe’s oldest auction houses. She currently works with international buyers, auction houses, and gallerists to develop their collections, and is a member of the Japanese Society of Arts (Netherlands), the Japanese Art Society of America, and the International Netsuke Society.